Ed Wood Quotes
Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
Quotes to Explore
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My first trip to Mexico was with my dad because of his Spanish records. That was back in 1958. I found a picture of me when I was eight dressed as a little senorita.
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When in doubt, wear a suit. Look at male politicians: you see them in a suit, and they look fine. But if you see a picture of them on the weekend or on vacation, there's a good chance they look terrible and unstylish.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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Forget it, Louis, no Civil War picture ever made a nickel.
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Life is painting a picture, not doing a sum.
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There's a picture there that people realize that, we stop helping Israel, we lose God's hand, and we're in big time trouble.
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I am a control freak. I am very hands on and pay attention to details.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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If you believe that markets operate in Alan Greenspan fashion, then you don't inquire into the details.
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There are hundreds of books about Woodrow Wilson, but I have an image of him in my mind that is unlike any picture I have seen anywhere else, based on material at Princeton and 35 years of researching and thinking about him.
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My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
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The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
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Sometimes you go into a film and you have no time to prepare and have to compress the details into a few days and then rely on the instinct and what happens when you're in a scene with other actors and that chemistry or not.
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I'm not someone who likes to have my picture taken, let alone see it plastered all over the place.
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This motion-picture muddle had distracted me from my writing.
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The press was all over to get a picture of me. It got to the point where they were all over my house, following me to work... Then Tom Brokaw and everybody else was doing stories, 'A star is born.'
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Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
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So there's always been this clash between what is the public good - that which belongs to all of us in common - and what can be exploited for a private interest.
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Life is a lively process of becoming.
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I join President Obama and the vast majority of Chicagoans who are tired of waiting for Washington to get serious about gun violence.
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If it had pleased them the legislators to order that this wealth, after having been possessed by fathers during their life, should return to the republic after their death, you would have no reason to complain of it.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
