Vince Flynn Quotes
Quotes to Explore
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I believe Mexico should dedicate 100% of its oil revenues to developing human capital and technological development. None of us politicians should be able to touch that money.
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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The only thing that matters is what happens on the little hump out in the middle of the field.
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There are lots of people who haven't been to drama school who have great talent and can be discovered.
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I met my agent when I was 10 years old on a family skiing vacation. He asked if I was interested in acting, and I had been doing school plays. A couple of years later, I called him up, and I started auditioning.
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In Israel, waves of anger and fear circulate all the time, but so do jokes and gossip and silky evening breezes. So, too, in America.
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I'm not the type of person that is forced.
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The last thing you want to do when you are about to film a scene is think, 'Oh my God, so many people are going to watch this.'
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I'm a little bit like a turducken: I'm sort of like an Indian person, wrapped in a British person, wrapped in an American kind of thing.
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Schizophrenia beats dining alone.
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My core belief is that if you're complaining about something for more than three minutes, two minutes ago you should have done something about it.
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A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.
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I grew up in the South and went to church a lot.
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By no means do I want to try to leave country music. That's absolutely where I want to stay.
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In the garment trades, on the other hand, the presence of a body of the disfranchised, of the weak and young, undoubtedly contributes to the economic weakness of these trades.
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We must honestly face our relationship with Great Britain.
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'The Moon Rabbit' is laying against the bunker, dreaming and thinking about life and dreaming the impossible possible and creating its own true stories.
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What I love about film is that everybody often connects to something so different, and things you couldn't anticipate when you were making the film, so you just make it as honest as possible.
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Meaning grows in the mind, but the shape and form of the act remains.
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I think that when you see the trailer [on movie "300"] - my feeling is anyway and maybe I'm not objective because I live it - but I think when you see it you immediately go, 'Okay, this is another sort of way of doing this.'
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I would ask you to come in Khadi, for Khadi links you with the fallen and the down-trodden.
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In the end, being the writer on set is a bit like having organised a big party, but you're not allowed to eat or drink anything. You just have to stand in the corner.
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I just look at what's going on in the world.
