John Boyne Quotes
I move between the two: I write an adult novel, and then I write a children's book. I quite enjoy that. It's a nice change of pace each time.
Quotes to Explore
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I had a bad conscience until I discovered that having a bad conscience about something so gravely serious as leaving your children is an affectation, a way of achieving a little suffering that can't for a moment be equal to the suffering you've caused.
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Nothing is really typical of my efforts... I'm simply casting about for better ways to crystallise and capture certain strong impressions (involving the elements of time, the unknown, cause and effect, fear, scenic and architectural beauty, and other seemingly ill-assorted things) which persist in clamouring for expression.
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I don't want to miss out on the chance of having a good time.
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Let us sacrifice our today so that our children can have a better tomorrow.
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Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
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We want to be on the edge of technology all of the time. We think long-term.
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Just try to focus one game at a time, not worry about points or anything like that. Worry about playing the right way and see what comes of it.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
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I love acting so much that I have to have that as much as I have to have my time with my kid.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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I am and will always be a Laker for life.
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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It is not worth an intelligent man's time to be in the majority. By definition, there are already enough people to do that.
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As an old-time New Yorker, it's not that I miss the '70s and '80s or whatever. I miss the fact that there was a certain kind of energy that exists when people can live for nothing.
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Hosting is a thankless job.
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I don't know David Cameron very well. I like him. I think you can judge a book by its cover - whoever said you can't is wrong - that's the whole point of nature giving us intuition, instinct and so on. I think the cover is pretty good.
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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We didn't have any segregation at the Cotton Club. No. The Cotton Club was wide open, it was free.
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My very addictive personality and all sorts of strongholds are a thing of the past for me. Yet at the root of every single one of those issues was insecurity, something I had battled since childhood.
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Our needs are our greatest asset. It turns out I've learned to give all the things that I need.
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Only the free-wheeling artist-explorer, non-academic, scientist-philosopher, mechanic, economist-poet who has never waited for patron-starting and accrediting of his co-ordinate capabilities holds the prime initiative today.
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I do work very hard. I have been very colored by that education. I spent six days a week, seven hours a day training. That will always be the foundation of my work.
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I move between the two: I write an adult novel, and then I write a children's book. I quite enjoy that. It's a nice change of pace each time.
