Frank Chodorov Quotes
Men live by production, but the State lives by appropriation. While the haves and the have-nots struggle over the division of existing wealth, it is the business of the State to improve itself at the expense of both; it picks up the marbles while the boys are fighting. That has been the story of men in organized society since the beginning.
Quotes to Explore
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Guard with jealous attention the public liberty. Suspect everyone who approaches that jewel. Unfortunately, nothing will preserve it but downright force. Whenever you give up that force, you are inevitably ruined.
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I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
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My dad grew up with an avocado tree in his backyard. My entire family, my wife and daughters, they love avocado. I may well be allergic. It makes me physically sick.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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Rising anti-Semitism is rarely the lone or the last expression of intolerance in a society.
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I think I like playing the bad girl. I like complicated. I like flawed, messed up complicated. It's more interesting.
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It brings up happy old days when I was only a farmer and not an agriculturist.
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At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution.
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One must beware of ministers who can do nothing without money, and those who want to do everything with money.
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As a kid growing up, I put a lot of pressure on myself.
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I see when men love women. They give them but a little of their lives. But women when they love give everything.
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For us, it is very important all the time that our core business is really good but that we don't stop moving.
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From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.
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No one can live under degradation.
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As an actor, I travel around a lot and live in a lot of hotels, and many times I've been in a town where the only entertainment to be had is what you find in the hotel bar or lobby.
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It's not so much the dressing up, but I love the idea of moving and existing in a different time.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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Life is so much easier when I allow myself to be myself and go with the flow. Whatever that looks like on a given day. If I can get quiet enough to truly check-in with myself, I usually end up on the right track.
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I'm very superstitious about going on other people's sets. You have to ask permission of the director; you shouldn't just turn up and skulk about in the background. It's very rude. You have to ask them personally. It's like a vampire being invited into a house.
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I did direct quite a bit when I was in school, and I directed some television afterwards.
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I like musicals that are sometimes comedic, but I haven't even seen the Monty Python musical, and I'm a huge Monty Python fan.
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It's easy to idealize someone that you don't know.
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Men live by production, but the State lives by appropriation. While the haves and the have-nots struggle over the division of existing wealth, it is the business of the State to improve itself at the expense of both; it picks up the marbles while the boys are fighting. That has been the story of men in organized society since the beginning.
