Maya Lin Quotes
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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Together with international unity and resolve we can meet the challenge of this global scourge and work to bring about an international law of zero tolerance for terrorism.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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I'm involved in music and fashion a lot more than I used to be, so my style has definitely changed - for the better, of course. It's given me greater insight into what colours work, what looks good on camera, and what I feel comfortable in.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I've worked in television all my life, but really I've always wanted to work in the movies.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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There are programs that don't work.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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I saw a '60 Minutes' piece on Google as a place to work. It was such a foreign concept from what I understood as a regular job. There's free food, sleeping pods, Ping-Pong. I'm the kind of guy who likes to get involved in everything - I'd be all over the Ping-Pong.
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I've worked with very few that I considered unpleasant. Dennis the Menace was a joy to work on.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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I have never been worried about the future. I will always be able to drive my own feet.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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I adapt my idea of football to my players, not adapt my players in my idea of football. It's important because there are others players that must play. The players are the most important things in football. I adapt my idea within my players.
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I always tell girls who say they want to start a band but don't have any talent, 'Well, neither do I.' I mean, I can carry a tune, but anyone who picks up a bass can figure it out. You don't have to have magic unicorn powers.
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Hollywood has lost touch with their audience a long time ago.
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Feeling useful in medicine allows me to not feel so stupid when making up stories.
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All my work is much more peaceful than I am.
