Mayim Bialik Quotes
Quotes to Explore
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Mostly people are ignorant, what is the language of painting. You know, they're ignorant. It is so difficult to make them aware, but time will teach them.
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I have lived under totalitarian Communism, so I prize freedom as much as anyone and have long fought for freedom of conscience and speech.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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One of the biggest problems with the modern feminist movement is its failure to bring men along with us.
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He who would not be idle, let him fall in love.
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I've always thought of fat as just a descriptive word.
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I think one thing that's important to maintain is a sense of fear, always doubting yourself... a good dose of insecurity helps your work in some ways.
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Slang is a language that rolls up its sleeves, spits on its hands and goes to work.
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What is needed in the theater, in fact for all our art forms, is a vibrant critical tradition.
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It's kind of selfish to say that you're only going to fight for a victory that you will live to see.
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If I could go back I might change Geronimo a bit. If I do, it will be made a longer version.
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People who get trapped in the tunnel vision of making money think that is all there is to life.
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Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.
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I am a very reserved person and have very few friends in the industry, while most of my close ones are from school and college.
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I like my feet. I have a tattoo on my foot with my last name. They're dancer feet. They're pretty. My toes are proportioned nicely. And they're strong - I can pinch people with my toes.
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The greatest benefit of being a solo performer is that it is seriously frightening, but at the same time very empowering. It's just you and the audience. All the weight is on you to deliver the songs.
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As a young teenager I looked desperately for things to read that might excuse me or assure me I wasn't the only one, that might confirm an identity I was unhappily piecing together.
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I think 'Slippery When Wet' was the turning point, where our records represent our energy that we do live.
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NYU was my comfort zone.
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I don't want to just preach to the church. I feel like I have a broader message.
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My mother and father were both much more remarkable than any story of mine can make them. They seem to me just mythically wonderful.
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The hardest thing for - not only an artist but for anybody to do is look themselves in the mirror and acknowledge, you know, their own flaws and fears and imperfections and put them out there in the open for people to relate to it.
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I'm good with a script.
