John C. Reilly Quotes
I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.
Quotes to Explore
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I enjoy all kinds of performances and take each role differently. I keep the audiences in mind.
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Ask your agent to set up a meeting with either your editor or the marketing department of the house or both so you can find out what they're doing, what they aren't, and what you can do to help.
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What is important is for me to do my best work on camera. The camera is inches away from you and sees every micromovement of every muscle of your eye. And if you're not relaxed, the camera sees it.
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I don't really feel like I have to have a debate with my husband over issues.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.
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I think I'm a lot funnier and goofier than people were able to see on 'Dancing With the Stars.'
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Architecture is undistinguished, sometimes derelict, but occasionally, as in 'Post and Beam,' there is something arresting in a setting... the building behind the Cathedral.
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One hazard of our job on TV is people are always checking us out and noting every pound we've gained or haven't quite lost.
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I feel like all the parts are seniors in high school and seventh graders, and I think I kinda skipped that awkward stage by not working those years.
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When you make a movie, you really have to be clever and smart, find something new for the worldwide audience because you aren't making a movie for just France or Germany; it's for everyone in the world.
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I've never had a job. I've never needed to.
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When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.
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A man is as alive as he can communicate.
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I was raised to believe that excellence is the best deterrent to racism or sexism. And that's how I operate my life.
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Historians tell us that a gentleman named John Ball once captured eight British Amateur titles.
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When Matt LeBlanc had his show 'Joey', I strongly suggested to the producers that they should bring me on.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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As an actor you have to have a strong vivid imagination as you're working and when the camera's rolling, but there's certainly a part of you that is aware of real life, that you're making a movie.
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As elsewhere in his writing, Vidal gives the impression of believing that the entire heterosexual edifice - registry offices, Romeo and Juliet, the disposable diaper - is just a sorry story of self-hypnosis and mass hysteria: a hoax, a racket, or sheer propaganda.
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The best way to learn how to work with actors is to have had experience of trying to act yourself - it will teach you humility if nothing else.
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Yes, I play this evil, mean character Victoria in 'Baywatch.' It is so much fun. I didn't want my first film in America to be just another role.
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I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.
