John C. Reilly Quotes
I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.
Quotes to Explore
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I enjoy all kinds of performances and take each role differently. I keep the audiences in mind.
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Ask your agent to set up a meeting with either your editor or the marketing department of the house or both so you can find out what they're doing, what they aren't, and what you can do to help.
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What is important is for me to do my best work on camera. The camera is inches away from you and sees every micromovement of every muscle of your eye. And if you're not relaxed, the camera sees it.
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I don't really feel like I have to have a debate with my husband over issues.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.
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I think I'm a lot funnier and goofier than people were able to see on 'Dancing With the Stars.'
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Architecture is undistinguished, sometimes derelict, but occasionally, as in 'Post and Beam,' there is something arresting in a setting... the building behind the Cathedral.
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One hazard of our job on TV is people are always checking us out and noting every pound we've gained or haven't quite lost.
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I feel like all the parts are seniors in high school and seventh graders, and I think I kinda skipped that awkward stage by not working those years.
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When you make a movie, you really have to be clever and smart, find something new for the worldwide audience because you aren't making a movie for just France or Germany; it's for everyone in the world.
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I've never had a job. I've never needed to.
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When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.
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A man is as alive as he can communicate.
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I was raised to believe that excellence is the best deterrent to racism or sexism. And that's how I operate my life.
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Historians tell us that a gentleman named John Ball once captured eight British Amateur titles.
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When Matt LeBlanc had his show 'Joey', I strongly suggested to the producers that they should bring me on.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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It had never occurred to me before that music and thinking are so much alike. In fact you could say music is another way of thinking, or maybe thinking is another kind of music.
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When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
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I didn't want to come up with some generic Johnny Bravo type name. I'm not that cool, so I might as well stick with my birth name.
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Better a wrong will than a wavering; better a steadfast enemy than an uncertain friend; better a false belief than no belief at all.
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I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.
