John Cameron Mitchell Quotes
I always think that in some way, art is the best tool we have to prepare for death. It's like a sculpture that you can interpret differently every time you look at it.
Quotes to Explore
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This is who I am: a flyspeck of human vanity in a trillion miles of stone-dead interstellar space; a graceless lump of flesh and fear in a remote desert where nearly everything that I can see or touch is designed to hurt me.
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There's certain things as a songwriter that I don't really care to write about, and there are certain things I won't sing about anymore. There are just so many things that I probably thought was OK for me, or have been in the past, that I would never want my son to think was OK.
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One of the most tragic things I know about human nature is that all of us tend to put off living. We are all dreaming of some magical rose garden over the horizon instead of enjoying the roses that are blooming outside our windows today.
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One man can be a crucial ingredient on a team, but one man cannot make a team.
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I'm just someone who marvels at God.
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In my role as a spokesperson for Amnesty International U.S.A. and as a supporter of various charitable causes including Unlock Iran, a campaign to release prisoners of conscience in Iran, I have never been faced with the threat of intimidation or arrest.
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Could today's construction worker married to a clerical worker guarantee four children a college education and buy a house? That's what we're fighting about.
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I've taken my clothes off enough in my career.
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I went from being an ailing child to a public enemy.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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I never lose confidence. As soon as you lose confidence, you're done.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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There are films you see that only reach your eyes. Then there are films that you can watch... that reach down to your throat, or reach your heart. 'In the Mood for Love,' though, reached all the way to my belly.
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I still do the same things, but it's nice. If people recognize you, generally everyone's very respectful, very lovely, but I wonder what it's like for real celebrities.
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There is no suspense in inevitability.
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Overall I enjoy a certain anonymity. I live a very normal, very ordinary life.
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Myself, I really like the iPad mounted as a frame, with a happy slideshow cycling through.
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And as I reinvent myself and I'm constantly curious about everything, I can't wait to see what's around the corner in newfound art and entertainment and exploration.
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I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
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One can always trust to time. Insert a wedge of time and nearly everything straightens itself out.
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I have a dark room, and I still process film, but digital photography can be a totally lying kind of experience; you can move anything you want... the whole thing can't be trusted, really.
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For me, it's always a failure of the imagination. I have that anxiety that time is passing, that everything is ultimately fleeting and impermanent. I better take advantage of every single moment.
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The average man never really thinks from end to end of his life. The mental activity of such people is only a mouthing of cliches. What they mistake for thought is simply a repetition of what they have heard. My guess is that well over 80 percent of the human race goes through life without having a single original thought.
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I always think that in some way, art is the best tool we have to prepare for death. It's like a sculpture that you can interpret differently every time you look at it.
