John Cameron Mitchell Quotes
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I was brought up very Catholic, and the character of Tommy Gnosis got his name from there.
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'Hedwig' isn't particularly based on me, but I think that it is autobiographical in terms of emotion.
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Our feet are planted in the real world, but we dance with angels and ghosts.
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Queerness isn't just Lady Gaga and overpriced drinks and fauxhawks. It's James Baldwin and Bea Arthur and Gertrude Stein and Gore Vidal.
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Having been an actor in Hollywood for a certain amount of time, I always felt a pressure to be sort of a neutral person. 'Don't do anything to your hair. Don't tell them your age. Don't tell them you're gay. Don't tell them anything that could limit you, specify you as a person.' I always hated that, actually moved out of L.A. because of that.
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I am just touched at how strongly the real Hed-heads feel. It feels different from other kinds of devotees; maybe it's the way I felt with certain bands when I was a kid. It feels like a band more than a play.
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I'm all for information diets, which are helpful for the mood and for the art.
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I think as far as themes, 'Hedwig' is about what music meant to you as a kid and how rock n' roll can save you; that is definitely part of it.
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There's nothing more Broadway than 'Hedwig.' It's very family-friendly. There's innuendo and stuff, but not more than you'd see on TV.
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The think that we hung the film version all on was 'Hedwig' on tour. On stage, it's one theatre, one show. It just seemed natural to change it. In the film, we were able to go to flashback rather than have her talk to the audience. And we had the play to practice and to see where we had made mistakes.
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I've always liked a good joke that everybody can laugh at.
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'Hedwig' is unabashedly analog.
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User-comments culture is not useful for creating original work, I think.
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Oftentimes, experiencing tragedy very young can strangely give you a kind of equilibrium.
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There's something cool about being a stealth classic.
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I would love for 'Hedwig' to be in every tiny shopping mall so every freakish kid like I was can have a broadening experience.
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Neil Patrick Harris is a superman of entertainment.
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Doing 'Hedwig' totally contributed to my acceptance of myself.
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Bob Fosse, even though he wasn't gay. He was certainly queer and had a huge effect on the 'Hedwig' film, as did Hal Ashby and Robert Altman, who had a weird butch queer feeling about him. His films almost flirted with camp but in an extremely realistic acting way.
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We need punk now; we need it more than ever. We need rebellion by youth.
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Obviously, when you get into larger budgets, you have less of that freedom, and I just - I'm not a person that tends to make stories for those larger budgets. To me, it's not much fun to have that kind of pressure.
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I don't like being choreographed to a T. I like to take steps and make them my own.
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I remember being afraid of doing drag when I was younger because I didn't really like my feminine side - most gay guys at some point are told that that's the worst part of you, so that becomes a negative thing.
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I have a weird propensity to know what's going to happen in the future.