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I just love the process of working with other actors.
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The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.
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I kept saying that I'd never live in L.A., and I didn't think I would. But that's where the work is, and I ended up making a lot of friends there, and my old friends moved out to Los Angeles too. And also, I think when you're famous, its hard to live in a small town.
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If I'm in something that I think is kinda good, it stays with me like a fever dream for a long time afterwards. I don't recall the finished product so much as the feeling of making it.
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Well, I think any actor can probably identify with being a professional liar. You don't always look at yourself that way, but I know a lot of days I do.
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Death is a billion-dollar business. They can't even pass a law where it takes seven days to get a gun. Why don't you have to go through the same kind of screening you do to get a driver's license? It's totally insane.
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I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these people.
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I was never interested in being an overly public person.
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Roy, the guy I play in 'The Grifters,' is a guy who had a very bleak life. His mother had him at 13, and then when she was 17 or 18 and he was 4 or 5, they were trapped in a small Texas town somewhere, and she was ready to do anything to get out.
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Well, acting itself is a form of rebellion, always. Getting up there in front of people, telling stories - you're kind of going against the grain to begin with, wanting to do that, don't you think? Why else would you do it? Except maybe as kind of a way to affirm your very existence.
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I grew up in Evanston and lived in Chicago for a long time, in Old Town and Wrigleyville. I did three films when I was in high school. The first was 'Class,' with Rob Lowe. I had a supporting role in that.
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Hopefully as you get older you get more selfless. That would be probably a good goal. I don't know if we do, though.
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I was a teen star. That's disgusting enough.
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A lot of powerful people in Washington may think it's a crazy-leftist-fringe position to think the intellectual authors of a torture regime should be investigated and prosecuted.
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I was raised Irish Catholic, but I don't consider myself Irish Catholic: I consider myself me, an American.
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Sometimes you meet people and you feel like you've known them for a long time.
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I think being self-referential is really narcissistic. Who's to say anybody's even thinking of you that much? But some of these movies that I've done, people still recite lines to me, even 20 years later.
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Usually I do everything reverse. I practice something in movies and then I try it in real life.
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My job is to just express something that I want to express. And if I'm ahead or behind the curve, that's for others to decide.
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Art is spiritual.
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Do I listen to pop music because I'm miserable or am I miserable because listen to pop music?
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I try not to dwell on the past. I'm not a big go-back-and-try-to-relive-your-past kinda person.
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If you wanna give me an award, I'll take it. Just don't make me go to the party afterwards.
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People try to keep their past, like kind of holding on to their past. Every Springsteen song talks about that.