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I remember the '80s being about the Cold War and Reagan and the homeless problem and AIDS. To me, it was kind of a dark, depressing time.
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Death is a billion-dollar business. They can't even pass a law where it takes seven days to get a gun. Why don't you have to go through the same kind of screening you do to get a driver's license? It's totally insane.
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I like the George Romero films, which were really great, social satire movies; really twisted.
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I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these people.
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I was never interested in being an overly public person.
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Well, I think any actor can probably identify with being a professional liar. You don't always look at yourself that way, but I know a lot of days I do.
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If I'm in something that I think is kinda good, it stays with me like a fever dream for a long time afterwards. I don't recall the finished product so much as the feeling of making it.
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Roy, the guy I play in 'The Grifters,' is a guy who had a very bleak life. His mother had him at 13, and then when she was 17 or 18 and he was 4 or 5, they were trapped in a small Texas town somewhere, and she was ready to do anything to get out.
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I grew up in Evanston and lived in Chicago for a long time, in Old Town and Wrigleyville. I did three films when I was in high school. The first was 'Class,' with Rob Lowe. I had a supporting role in that.
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I was a teen star. That's disgusting enough.
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Well, acting itself is a form of rebellion, always. Getting up there in front of people, telling stories - you're kind of going against the grain to begin with, wanting to do that, don't you think? Why else would you do it? Except maybe as kind of a way to affirm your very existence.
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My job is to just express something that I want to express. And if I'm ahead or behind the curve, that's for others to decide.
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I just love the process of working with other actors.
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Art is spiritual.
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I think being self-referential is really narcissistic. Who's to say anybody's even thinking of you that much? But some of these movies that I've done, people still recite lines to me, even 20 years later.
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Hopefully as you get older you get more selfless. That would be probably a good goal. I don't know if we do, though.
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A lot of powerful people in Washington may think it's a crazy-leftist-fringe position to think the intellectual authors of a torture regime should be investigated and prosecuted.
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If you wanna give me an award, I'll take it. Just don't make me go to the party afterwards.
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I kept saying that I'd never live in L.A., and I didn't think I would. But that's where the work is, and I ended up making a lot of friends there, and my old friends moved out to Los Angeles too. And also, I think when you're famous, its hard to live in a small town.
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Usually I do everything reverse. I practice something in movies and then I try it in real life.
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Do I listen to pop music because I'm miserable or am I miserable because listen to pop music?
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If you're going to get into social criticism with absurdity and satire, you can't be politically correct when you do that.
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People try to keep their past, like kind of holding on to their past. Every Springsteen song talks about that.
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I was never a joiner. I tried - I had people I admired and liked and wanted to hang with, but I ended up starting a theatre company and that took me back to Chicago... I guess I wasn't a scenester in the end. Something must have worked out right, as I'm still here - but I'm only a binge socialite.