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I was raised Irish Catholic, but I don't consider myself Irish Catholic: I consider myself me, an American.
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I don't walk around talking about my life and spouting my philosophy to people I don't know. I mean, if I get to know them, I'll talk for hours. I guess I like a lower-key scene.
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But, you know, I'm sorry, I think democracy requires participation. I mean, I don't want to proselytize but I do feel some sort of duty to participate in the process in some way other than just blindly getting behind a political party.
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I was never a joiner. I tried - I had people I admired and liked and wanted to hang with, but I ended up starting a theatre company and that took me back to Chicago... I guess I wasn't a scenester in the end. Something must have worked out right, as I'm still here - but I'm only a binge socialite.
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I think good actors can sort of see into people and immediately you have a chemistry with them or not. It's like an affair with no mess. You don't actually consummate it, but you get to pretend, imagine what it would be like.
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The movies have got more corporate, they're making fewer movies in general, and those they are making are all $200-$300m tent-pole releases that eat up all the oxygen.
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There's also some element of coming of age during the Reagan administration, which everybody has painted as some glorious time in America, but I remember as being a very, very dark time. There was apocalypse in the air; the punk rock movement made sense.
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Of course, I think it is legitimate for the Commander-in-Chief to be concerned for the safety of his soldiers.
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With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.
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I don't tend to think in terms of a moral authority - be a good boy, do good things - more in terms of what feels right.
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I was only in one of the John Hughes films, and I never saw the other ones. I didn't understand them. I kept hearing a really hip 40-year-old person talking in teenagers' mouths.
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Poe had this curious kind of alchemical courage, where he took all the terrible things and terrors that happened in his life, all this shame and fear and pain, and turned them into great works of art. He was a complex, brilliant person who was just wired too tight.
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My point was that it's hard to make good films, but I'm not under any illusion that you do all the time.
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If you're going to get into social criticism with absurdity and satire, you can't be politically correct when you do that.
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If you're a movie star, there's a cycle you go through: adoration, adulation, you're used, and then you're discarded. And it happens again and again, always in that sequence.
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Nope, no sex scandals yet. But I am open to offers!
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I am rich enough.
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I feel close to Lloyd in 'Say Anything'. He was like a super-interesting version of me. Only I'm not as good as him. Whatever part of me is romantic and optimistic, I reached into that to play Lloyd.
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I feel like I'm a filmmaker; I don't feel I need to yell action and cut.
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You just try to get the best jobs that you can get. Sometimes I produce my own movies, so that's your own sort of vision. That helps things. I don't know what it is. Probably just circumstance. I've definitely been aware of the fact that I want to do different things.
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Having people remember something that you did 25 years ago doesn't suck.
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No, actors go out with actresses as a form of self-flagellation.
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Usually I play people who just keep babbling on and on and on.
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I wanted to just be a filmmaker, and I thought I wanted to do all the aspects, and it seemed like as a producer was the best way to do it, because I could have... You never have control on a movie, but you have as much control as you can.