John Darnielle Quotes
Most of 'All Hail West Texas' was written during orientation at a new job I had. I had basically worked this job before, I knew this stuff, so I was writing lyrics in the margins of all the Xeroxed material.

Quotes to Explore
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Some borrowers are pretty damn good at fraud.
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You can't win if you don't play as a unit.
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The thing about American writers is that, as a group, they get stuck in the same idea: that we're a continent and the world falls away after us. And it's just nonsense.
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I didn't make any friends in New York by insisting on moving the league headquarters to Cincinnati. The fact was that my son Bill was in school. His mother had passed away, and I didn't want to take the boy away from his school and to a strange city.
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As with lemon juice, the more sorrel you use, the more it has to be balanced with something sweet, starchy or creamy - it's a yin-yang approach to cooking that I find rather calming.
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The highest compliment that you can pay me is to say that I work hard every day, that I never dog it.
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The fight against terror cannot stop as long as terrorism itself is not stopped, but the path of war must change: it must lead directly to terrorists and not be waged on the backs of three million Palestinians.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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He who gives love, receives love.
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The defiance of established authority, religious and secular, social and political, as a world-wide phenomenon may well one day be accounted the outstanding event of the last decade.
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Well into the 20th century, black people spoke of their flight from Mississippi in much the same manner as their runagate ancestors had.
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Just let the wardrobe do the acting.
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I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
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I'm the Chris Martin of hip-hop.
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One of the missions of 'The Nightly Show' was to have a conversation with America in a sense, and talk about the things that people didn't want to talk about it.
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People do bad things in their lives. And those sort of things are forgivable. That's half the point of having confession in church - you need to be able to fess up to what you've done.
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'Marco Polo' had some negative reactions in the press. Viewers have loved it, and the volume of viewing has been phenomenal.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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I grew up in the Deep South, where sexism, racism, and homophobia were and still are alive and well. I have early, early memories of words and actions of this type being very painful.
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When I get ready to explain homemade fascism in America, I can take my example from the state capitol of Texas.
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To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
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I have very girly hands and I use them a lot when I talk in a way that I think is very feminine.
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The dancer, or dancers, must transform the stage for the audience as well as for themselves into an autonomous, complete, virtual realm, and all motions into a play of visible forces in unbroken, virtual time...Both space and time, as perceptible factors, disappear almost entirely in the dance illusion.
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Most of 'All Hail West Texas' was written during orientation at a new job I had. I had basically worked this job before, I knew this stuff, so I was writing lyrics in the margins of all the Xeroxed material.