John Darnielle Quotes
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I was a huge comic book fan. It's weird because the era of 'Marvel' I was into turns out to be very important in the long run, but it's not the one that anybody romanticizes.
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To me, the only good reason to be touring is if you still have something good to share instead of just revisiting past glories.
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Wrestling's a form of expression, and it expresses vastness.
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Metal has its own code of cool, but it's not really trying to be cool. And that was very refreshing to me, that metal is very much about expressing something that seems awesome to you even if, at the time, much of the world was going to mock and reject it.
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At 23, you can completely, literally reinvent yourself if you want to.
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I always assumed people wanted to hear me tell stories, but then I had 'The Sunset Tree.' It turned out, my own stories were the ones that registered with people the hardest.
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At my high school, there were always kids carrying acoustic guitars around, which is why I named my band the Mountain Goats. I didn't want to seem like one of those guys who brought his guitar to the party whether you asked him to or not.
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Something I've learned being in this industry for so long is that if you want to work with somebody, call them up. Very few musicians have any illusions about genre boundaries. They are useful descriptive terms, but they don't really bind musicians.
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Wrestling is like any form of drama or pretty much any form of entertainment - some people understand this about forms of entertainment really intuitively when they're younger, and others would have to be really not very intelligent for a long time until we realize that every human mood is an art.
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I get nostalgic about having lived in Ames, Iowa, even though being a vegetarian in Iowa is not fun. But I really love Durham more than any place I've ever been; some small towns can be really provincial and strangling, but Durham is the best city in the world.
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I think any real one-sheet for an album would say, 'Well, here's what I've been doing.' And that would be it.
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I want to make sure people know I don't think I have any magic powers. I just have a story that I share.
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It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.
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There's the dual challenge of wanting to speak from an authentic place, and then being able to be honest about it. Even in the most mannered art, I think that's what people value, is a voice that comes from a real place.
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I used to assume no one would care, but I do think now I've written songs that are useful to people having dark hours.
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The way the vocal folds work is that they can get inflamed and in pain, but actual tears in the folds are somewhat rare. I've never torn anything. Been too strained plenty of times.
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The better I get at writing songs, the harder it seems to be to relate to people. But when I get on stage, I'm extremely happy.
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A book is a journey: It's a thing you agree to go on with somebody, and I think every reader's experience of a book is going to be different.
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I love Joan Didion, but I love her writing. I don't think meeting her could solve my problems or make me understand the world better.
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My strongest hope is for a cameo as a band playing in a club visited by the detectives on 'Law & Order: SVU' during the course of an investigation, maybe during sound check, or something, so they can force us to stop playing while they question the sound guy.
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I think I read too much Arthur Conan Doyle when I was young and got this idea that a gentleman should know a lot about one thing and plenty about most everything else.
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Songs are often character studies.
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'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.
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For years, I've written narrators who aren't gender-identified. When I do autobiographical stuff, that's different, obviously. But I've always tried to keep my songs as potentially not a man's thing.