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I still can't manage to keep a journal, and people have been telling me to since the fourth grade.
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I always assumed people wanted to hear me tell stories, but then I had 'The Sunset Tree.' It turned out, my own stories were the ones that registered with people the hardest.
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This is why improvisational music and comedy is so inspiring: You are seeing something being born, and that energy, there is no substitute for. These songs, most of them, are about a minute old when you hear them.
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I was a huge comic book fan. It's weird because the era of 'Marvel' I was into turns out to be very important in the long run, but it's not the one that anybody romanticizes.
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Something I've learned being in this industry for so long is that if you want to work with somebody, call them up. Very few musicians have any illusions about genre boundaries. They are useful descriptive terms, but they don't really bind musicians.
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It's not my style to be thinking about what a record is while I'm making it: I just write songs.
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The better I get at writing songs, the harder it seems to be to relate to people. But when I get on stage, I'm extremely happy.
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I get nostalgic about having lived in Ames, Iowa, even though being a vegetarian in Iowa is not fun. But I really love Durham more than any place I've ever been; some small towns can be really provincial and strangling, but Durham is the best city in the world.
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At 23, you can completely, literally reinvent yourself if you want to.
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It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.
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Metal has its own code of cool, but it's not really trying to be cool. And that was very refreshing to me, that metal is very much about expressing something that seems awesome to you even if, at the time, much of the world was going to mock and reject it.
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Wrestling is like any form of drama or pretty much any form of entertainment - some people understand this about forms of entertainment really intuitively when they're younger, and others would have to be really not very intelligent for a long time until we realize that every human mood is an art.
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I love Joan Didion, but I love her writing. I don't think meeting her could solve my problems or make me understand the world better.
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The way the vocal folds work is that they can get inflamed and in pain, but actual tears in the folds are somewhat rare. I've never torn anything. Been too strained plenty of times.
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A book is a journey: It's a thing you agree to go on with somebody, and I think every reader's experience of a book is going to be different.
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There's the dual challenge of wanting to speak from an authentic place, and then being able to be honest about it. Even in the most mannered art, I think that's what people value, is a voice that comes from a real place.
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I think any real one-sheet for an album would say, 'Well, here's what I've been doing.' And that would be it.
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I wrote 'Lakeside View Apartment Suites' with Roman in my arms. He was about a month old. I was playing left-handed and finally handed him over. On the demo of it, you can hear him crying in the next room.
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I write stuff down. I have a chalkboard in the kitchen where I will scrawl stuff down if I have a faint outline of an idea. And I'll go into my office or whatever. But that goes from format to format.
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The best ones - Hulk Hogan believes in Hulkamania. It's not a thing he's selling here. It's real. He knows it's real because he goes to the Mall Of America and everybody goes insane, right? Wrestling is real. Those characters are real.
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I pretty much just focus on making the records - unless I'm self-releasing them; then I do my own thing. But at some point, you have to stop worrying about chains of distribution, or it takes out of your time to write.
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That's what I used to enjoy so much: Bringing a record home, having it arrive in the mailbox. Having the whole experience of hearing it as you're holding it and looking at it and reading the liner notes, if they're anything.
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Most of my interests in terms of writing are dark, so it's discordant how much I try to lock into the vibe of wherever I'm at. Inhabiting the life of the imagination is the nature of survival strategy - you build yourself little worlds to enjoy.
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I used to assume no one would care, but I do think now I've written songs that are useful to people having dark hours.