John F. Kennedy Quotes
Quotes to Explore
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I didn't equate a POW camp with a concentration camp.
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I want to direct what I feel is interesting - not what is supposed to be my zone.
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God is like the sun. When the sun shines, it shines for everyone. God is for everyone.
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It's tough to be 68 and dating. I've given it up now.
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My readers at that time were still men of letters; but there had to be other people waiting to read my poems.
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Lauren Goode and I have agreed that the next version of the Mac software - all of them are named after places in California - should be named either Bridgeport or Warwick.
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I had this dream in my head of, if I got hired by 'SNL, what that moment would be like. And I dreamed that I would, like, collapse on the sidewalk and cry to the heavens. I got this call, and it didn't happen naturally. But I did it anyway because I wanted to have that moment. So I did collapse.
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Although the French were very friendly and helpful. On one location we were to film at the top of the Eiffel Tower but we couldn't, as it was so misty with four inches of snow on the ground. We couldn't see a thing but we finally got it done.
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I've never bought this idea of taking a therapeutic distance. If I see a student or house staff cry, I take great faith in that. That's a great person; they're going to be a great doctor.
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Creative people are more prone to depression.
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It is not enough just to wish well; we must also do well.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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I ask the rights to pursue happiness by having a voice in that government to which I am accountable.
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I was born with an evil face.
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I've got two small kids. I want to make sure they grow up to be good people. Do they treat people well? Are they kind?
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I think what we've been able to do with 'Longmire' is balance this procedural with a bit of a soap opera, and it's a character study of this character, Walt Longmire, and the people around him.
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When I was 18, I left Dublin and moved to Paris. I didn't speak French. I didn't know anyone. I felt like a fish out of water.
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After I can be happy with knowing that I did what I wanted to do.
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Overhead, without any fuss, the stars were going out.
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I find titles the hardest thing. I was worried that 'Waste Land' was too much of a downer. For me, 'The Crash Reel' confronts what the film is about: it's not just about the reality of a crash, it's about the extremity we all face, and what happens when life crashes on you.
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Of course, it's a dream to go to Mars. I want to find out whether there was life there or not. And if there was, then why did it die out? What sort of catastrophe happened?
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A truth that disheartens because it is true is of more value than the most stimulating of falsehoods.
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And sure enough, in seeking to become superhuman this foolhardy young man renders himself inhuman. The heart that he has locked away slowly shrivels and grows hair, symbolising his own descent to beasthood.
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The truth doesn't die. The desire for liberty cannot be fully suppressed.
