John Frankenheimer Quotes
Quotes to Explore
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I'm pretty much friendly and compassionate to everybody. But not to people in the ring.
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Well, my type is obviously creative. Creative, with burning eyes and a pretty mouth.
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When you're climbing at high altitudes, life can get pretty miserable.
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I'm pretty obsessed with Sara Bareilles. She is so talented, and I feel like I would learn so much from her.
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I came up in the theater, and I learned pretty quickly that reading a review, whether it's good or bad, can strangely affect the next performances, because you're reacting to something that's been said about you. So I tend to avoid that stuff pretty studiously.
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I've got pretty good knowledge about pass rushing. But I know I have a lot to work on.
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I am fortunate to stay at lots of lovely hotels when I'm on tour, but my favourite hotel group in Britain is Malmaison. I recently stayed at the Malmaison in Manchester, which was pretty amazing. It had a fabulous bar and restaurants, as well as fantastic rooms with mood lighting.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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Robert De Niro... It seemed like a pretty cool thing to do to put his name on my resume next.
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Libertarianism is a way of measuring how the government and other kinds of systems respect the individual. At the core of libertarianism is the idea that the individual is sacrosanct and that anything that's done contrary to the well-being of the individual needs some pretty serious justification.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
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I often wonder whether Negroes like myself who are pretty well known help out at all in breaking down barriers.
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I was a pretty difficult teenager.
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I dated all these girls and ended up not liking them and thought to myself, 'What was it that all of them had in common?' They had too much time on their hands. Even though they were pretty, they lacked something. A woman could be less attractive but with ambition and drive, that's the most beautiful thing.
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Honestly, with me, as long as I have a park to play basketball in, I'm pretty cool.
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You really think that on my films people tell me what to do? I don't think so. On my films I decide.
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I've been blessed with pretty strong stamina and healthy genes, so I'd call myself sensible. I've had regular mammograms ever since I found a lump in my breast when I was 30. Thankfully, all was well.
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One of the reasons I don't see eye to eye with Women's Lib is that women have it all on a plate if only they knew it. They don't have to be pretty either.
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I think there's an assumption when you have a parent in the business that you're given some kind of a cheat sheet at an early age. Some kind of upper hand or some kind of advanced understanding of how the whole thing functions - maybe how to operate within it. I never felt I received that cheat sheet and grew up pretty removed from the business.
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You may invite the entire 35th Division to your wedding if you want to. I guess it's going to be yours as well as mine. We might as well have the church full while we are at it.
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Happiness comes when we test our skills towards some meaningful purpose.
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It's hard for anybody who works a lot and has children. But I wouldn't trade it for anything.
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I think I've made some pretty decent films in the '80s and '90s.
