John Frankenheimer Quotes
Quotes to Explore
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I honestly can't describe what goes on in my head when I'm out there. People who don't wrestle can't possibly understand it. When I'm in the ring, I don't feel any pain. I'm in another world out there.
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I've always reverted to a sense of childhood, just in everyday life.
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Ideas are all around me. If I wasn't interested in them myself, I don't think anyone else would be either.
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I am an optimist. I believe the future is bright. I think people who see life painted in dark colors are the ones who do not take ownership.
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You're able to do things in novels: introduce subplots, other characters, thematic layers and so on, in a way that you simply can't in a movie. A movie really has to choose its battles.
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When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
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I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again... the future is just going to be a vast, conforming suburb of the soul.
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I know there's more to life than making lots of money and being successful and even getting married and having a family.
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There's no alternative to Catalan independence.
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I have my cousin's jacket from when he was at war in Iraq. He never came home. It's incredible to have something that is so personal but that I also feel relatively comfortable wearing.
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The first version of The Beautiful Room Is Empty was the first mss. I'd ever submitted to New York editors.
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Did you know that when a baby poops its diaper, you're not supposed to hit him with a rolled up newspaper?
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If only she could have held on to that day, held on to that moment forever, grasped it in her fists so it wouldn't escape. If only.
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In place of the bourgeois society, with its classes and class antagonisms, shall we have an association, in which the free development of each is the condition for the free development of all.
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'Vanitas vanitatum' has rung in the earsOf gentle and simple for thousands of years;The wail still is heard, yet its notes never scareEither simple or gentle from Vanity Fair.
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The New York Times is busy sucking the teat of the major studios. They twist themselves into a pretzel when Kumar and Schmumar Go to White Castle Part III. They say, 'Oh, the farts are such a statement about American culture! It's such great satire!' It's bullshit. Troma paved the road for farts! But we don't exist.
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I love directing; it felt right to me when I did 'Flying Lessons'. It's something I will do again. Really, you can always be working and developing. That's something that's kind of ever constant.
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My character in 'Cocktail' was different from my personality. Homi Adajania took me to London, showed me how girls dress and behave there. I had not seen that kind of lifestyle before.
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When I went to the Victorian College of the Arts in Melbourne to study drama, I felt I'd finally found my place in life.
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I started out as a juggler, so I know what it means to spend eight hours a day, seven days a week practicing something that people just dismiss with a wave of hand.
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I don't jog, if I die I want to be sick.
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Art is the expression of a man's life, of his mode of being, of his relations with the universe, since it is, in fact, man's inarticulate answer to the universe's unspoken message.
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I really, really love directing films.
