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I love that phrase that parents say to their children when they cry: 'I'll give you something to cry about.'
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The snappier lyrics come when I'm feeling really good and up. A lot of times, they come after I've just had a meeting with somebody that was uplifting, and you get home, and you're feeling playful or upbeat or whatever, and then they just seem to pop right out.
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I feel like, in the Czars, for example, I was afraid. I couldn't express myself. I didn't have a connection to myself. That's one of the huge reasons why it was such a difficult existence. I put a lot of that on myself. I couldn't access myself. I couldn't look at myself, because I was too ashamed.
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I could have easily said that I don't believe in anything when I came out of the upbringing that I had, but I do still believe that there is something there, and I have a difficult time figuring it out. I suppose I don't want to be thought of as stupid or unintelligent because I believe that there's something out there bigger than us in the world.
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I feel like, every single decision I make and every single album I make, it's all about letting go. Letting go of the past and just getting on with it.
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The most horrifying thing I ever did was work as a steward on an airplane. I wanted to get hired by United. I thought, 'With my languages, this will be amazing; I will work in First Class.' But I could only get a job with an airline going from Newark, New Jersey to Fort Lauderdale, Florida.
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If I'm honest, I suppose there's something I don't want people to see in my eyes. They really are the window to the soul.
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I feel uncomfortable when I think about my father listening to my records, because I don't want to hurt him.
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I'm a seriously flawed individual, but I guess everybody is.
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The first 20 years had such a profound effect on me, I spent the next 20 dealing with them.
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I grew up singing in a church choir.
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My music is definitely very personal. The songs are about moments, snapshots of everyday life, and about having one's say, or at least feeling like one has had one's say.
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The 1980s were all about synths for me, and it never went away after that.
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For me, every single thing I do seems to be about the process of letting go because that's what I so desperately need to do with so many things: with fear, with what people think of me, and all these things I've worried about my whole life.
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The rejection I received when I was young for being a homosexual... that's nothing compared to the number you do on yourself when you've been taught that you are not a human like other people.
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I loved the whole New Romantic, New Wave thing... New Order, Soft Cell, Depeche Mode, Gary Numan, Blancmange, Yazoo.
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I was so ashamed of who I was. And I also felt like an outcast in gay society as well because I wasn't good-looking enough; my body wasn't good enough.
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I know I'm likeable, but living with me is different. Yes, I can be charming. That desire to please people and learning what to do to charm their socks off is something many of us do. But you get into a relationship, and the party's over at some point. They see the real you.
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I have trouble with things like Facebook. It presents such a warped vision. I get sick of people's opinions about every little thing and this warped view that everyone is as happy as a pig in garbage.
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It's not like we wanted to talk about the fact that we're gay all the time, but the world has forced it to be an issue.
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I do feel I have a hard time dealing with things being OK.
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I'm angry because I was so scared for so many years about just being myself.
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I spend a lot of my time just looking at words and grammar and writing things down that I don't know.
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I felt like a failure for so long because I wasn't able to access myself in the way I knew I would have if I was going to make music that mattered. I knew I was going to have to learn how to be honest.