John Greenleaf Whittier Quotes
Quotes to Explore
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I was practically driven to Rome in order to obtain the opportunities for art culture and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.
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A physician's physiology has much the same relation to his power of healing as a cleric's divinity has to his power of influencing conduct.
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One of the dreams of Zionism was to be a bridge. Instead, we are creating exclusion between the East and the West instead of creating bridges; we are contributing to the conflict between East and West by our stupid desire to have more.
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Guys like me don't necessarily progress very far, which is fine.
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My mantra is: 'Good design accelerates the adoption of new ideas.'
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The mantra from the Obama State Department is 'smart power' - the not-so-new idea that all elements of national power should be utilized to influence other countries.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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Well, put it like this, if you're not a kid, you're a wizard.
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What you wear onstage is a reflection of your artistry.
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I really loved animals when I was little - my friend and I had an imaginary vet's office; we would mime doing surgery on animals. We treated more injuries than illnesses - fixing with a baby bear with a broken leg, removing a tumor. Of course, our surgeries would take about five seconds; that's how good we were.
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I got married very early, and in no time at all, we had three children. And it seemed to me I had an obligation to support them.
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Our duty was to try and find the Japanese fleet. We never did find the Japanese fleet and I am awfully glad, because they had attacked us there with six carriers, three battleships, 10 or 15 cruisers, and about 20 destroyers.
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Nothing ever turns out the way people expect it to.
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I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
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I'm learning to accept everything that I am. I've accepted that I'm not going to be a stick-thin-model kind of girl. When I was 14, I was tall and spindly. By the time I turned 18, I had become a woman, and my body's not going to go back to what it looked like when I was 14.
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It gives a different kind of high when, as an actor, I get to submit myself to the character I play.
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Very early in life, it seemed to me that there was a relationship between the problems of the Negro people in America and the Jewish people in Russia, and that the Jewish people's problems were worse than ours.
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I'm a jewelry girl. I became with friends with designer Irene Neuwirth a few years ago. At that point, I just used to wear my wedding rings. Very low key. Now, if I could, I'd be draped from head to toe in her jewelry all the time. Everything she makes is beautiful.
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I want to make it clear to England, I am not a party girl.
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I kind of feel, in a way, all of us will forever be asking those questions of ourselves: Who am I and how do I fit in in the world and what is all this about? Because those aren't really... there are no answers to those questions, in a sense.
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I think I should not go far wrong if I asserted that the amount of genuine leisure available in a society is generally in inverse proportion to the amount of labor-saving machinery it employs.
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Gaining people's trust might be harder than gaining all creation. But, what is harder than gaining people's trust is having to abandon them.
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Beauty seen is never lost.
