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In 'The Interestings' I wanted to write about what happens to talent over time. In some people talent blooms, in others it falls away.
Meg Wolitzer -
'Pleasure' is a word I think about a lot, as opposed to 'entertainment.' They are very, very different.
Meg Wolitzer
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I believe that sometimes, when we talk about books, we're talking about the big picture - how they're relevant.
Meg Wolitzer -
I'm really interested in women of different generations... I think there is no one female experience.
Meg Wolitzer -
I think everyone is always measuring themselves against other people to a certain degree; it happens automatically, and it's hard not to be this way at least some of the time.
Meg Wolitzer -
We all want to write the kind of book that we want to read. If you put in the things that you are thinking about and create characters who feel like they could live - at least for me, that's the way I want to write.
Meg Wolitzer -
I've always been drawn to writing for young readers. The books that I read growing up remain in my mind very strongly.
Meg Wolitzer -
When I was in junior high school, friends and I were in a consciousness-raising group, a term that now seems quaint like a butter churn, but it was very powerful. It was a really wonderful experience.
Meg Wolitzer
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When you're writing, it's so absorbing. It's like a drop cloth goes over you, and the world outside falls away, but you do have a miniature version of the world, your own world, that you actually have some control over. I love to work.
Meg Wolitzer -
I think listening to music from your youth is as powerful as a scent passed beneath your nose.
Meg Wolitzer -
As a novelist, I feel lucky that I can traffic in nuance. I'm more interested in looking at how things change over time, at how people try and sometimes fail to make meaning out of their lives.
Meg Wolitzer -
I think a lot of the dull parts of first drafts come from a kind of over-managing, intrusive writer who wants to direct traffic. The idea of taking out the parts that the reader could infer is very liberating, and it's weirdly part of radicalizing your work: it allows you to go to new places fast.
Meg Wolitzer -
I'm not particularly good at doodling. I'll doodle the same face over and over again.
Meg Wolitzer -
My being a writer and playing Scrabble are connected. If I have a good writing day, I'll take a break and play online Scrabble. My favorite word as a child was 'carrion,' before I knew what it meant. I later created crossword puzzles, which was a lot about puns, and how words would create these strange, strange things.
Meg Wolitzer
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Good writing is good writing, and I'm so happy when I read it.
Meg Wolitzer -
We all would love the idea of people getting what's coming to them in books and in life, but sometimes the trajectory is a little more complicated than that.
Meg Wolitzer -
When I wrote 'The Interestings,' I wanted to let time unspool, to give the book the feeling of time passing. I had to allow myself the freedom to move back and forth in time freely, and to trust that readers would accept this.
Meg Wolitzer -
Novels can be a snapshot of a moment in time, or several moments in time, and as a reader, that's what I really like, and as a writer, it's what I'm drawn to also.
Meg Wolitzer -
These are old issues. Female power, misogyny, the treatment of women, how you make meaning in the world. And these are all issues that I've been thinking about and writing about for a very long time.
Meg Wolitzer -
I don't write autobiographically.
Meg Wolitzer
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I really love Scrabble. I played it with my mother growing up. We took it everywhere with us. We didn't know then about the two letter words. Who knew that AA, or more controversially, ZA, or QI were words? We were a games family generally.
Meg Wolitzer -
Some people are uncomfortable saying what they feel.
Meg Wolitzer -
It's hard for me to feel bad when I'm writing well.
Meg Wolitzer -
I sometimes feel as if ideas for a novel kind of pop up like numbers in a bingo tumbler, and then they're ready to go.
Meg Wolitzer