Gelsey Kirkland Quotes
There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good.

Quotes to Explore
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Faith may be defined briefly as an illogical belief in the occurrence of the improbable.
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A statesman who keeps his ear permanently glued to the ground will have neither elegance of posture nor flexibility of movement.
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Power is the by-product of understanding.
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When I won the belt, it was kind of a precedent... The only Canadian to have ever held it.
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I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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I have to think about how to not spread myself too thin. It's a really great problem to have.
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We are like petri dishes, where we can innovate, but we want to do it carefully and thoughtfully.
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What inspires me most to write is the act of traveling.
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I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.
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I think, as far as branching out with acting, it would take something really right on the mark to distract me from music, because music is everything to me.
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One of the side benefits of staying in the closet is you can have a much bigger career.
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Man is a rational animal who always loses his temper when he is called upon to act in accordance with the dictates of reason.
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It's an honor to live in and serve the great City of Los Angeles. I'm also immensely grateful for the support I've received from Ireland.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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Public opinion is a permeating influence, and it exacts obedience to itself; it requires us to drink other men's thoughts, to speak other men's words, to follow other men's habits.
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I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
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Fear was absolutely necessary. Without it, I would have been scared to death.
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I have a very rich and wonderful personal life, and at its core are my sons.
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I wanted to create clothes for women in their 40s and 50s and 60s who have careers and are sexy and don't want to look like grandmothers.
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Our intention is that people use MakerBots to have a positive impact on the world.
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There are lots of actors out there who are hugely, hugely talented and haven't got the breaks I've had.
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There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good.