Peter Greenaway Quotes
A woman materialises behind Prospero - leaning lightly on the back of his chair - she is alternately a Titianesque nude and then the Vesalius figure - flayed … she leans lightly over and kisses Prospero on the cheek. The kiss leaves a blood-red mark on his withered cheek. Prospero shivers.
Peter Greenaway
Quotes to Explore
I see a 16-year-old now, and to ask her to take her clothes off would feel really weird. But they were like, 'If you don't do it, then we're not going to book you again.' So I'd lock myself in the toilet and cry and then come out and do it. I never felt very comfortable about it. There's a lot of boobs. I hated my boobs! Because I was flat-chested.
Kate Moss
I believe in the stability of my country. I believe in unity.
Najib Mikati
I'm proud to have played characters who've inspired people to live out loud, and I'm lucky to have reached an audience that's been incredibly enthusiastic and supportive.
Olivia Wilde
The Democrats promised equalizing outcomes through unlimited federal assistance while Republicans offered something that seemed less tangible - the promise of equalizing opportunity through free markets.
Rand Paul
In international relations, in foreign policy, a great deal has to do with historical circumstances, a great deal has to do with the sense and perception of people.
Salman Khurshid
Her mother, Laurie Simmons, is a contemporary artist, and my stepmother, Cindy Sherman, is a photographer, so they've known each other forever. Lena and I were often at the same dinner parties when we were kids.
Gaby Hoffmann
He only can truly pray who is all aglow for holiness, for God, and for heaven.
Edward McKendree Bounds
Love gives us copious potions of delight, Of pain and ecstasy, and peace and care; Love leads us upward, to the mountain height, And, like an angel, stands beside us there; Then thrusts us, demon-like, in some abyss: Where, in the darkness of despair, we grope, Till, suddenly, Love greets us with a kiss And guides us back to flowery fields of hope.
Ella Wheeler Wilcox
Those who look for the laws of Nature as a support for their new works collaborate with the creator.
Antoni Gaudi
And sometimes we die to prove that we lived.
Fábio Moon
Don't kill the golden goose.
Malcolm Mclaren
A woman materialises behind Prospero - leaning lightly on the back of his chair - she is alternately a Titianesque nude and then the Vesalius figure - flayed … she leans lightly over and kisses Prospero on the cheek. The kiss leaves a blood-red mark on his withered cheek. Prospero shivers.
Peter Greenaway