John Hurt Quotes
I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
Quotes to Explore
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I've always loved working out. When I was little, my dad used to make me and my sister do 10 press-ups every day before we brushed our teeth in the morning. It was like a boot camp! Then I did a lot of athletics at school and was a dancer.
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I'm not a power person. I like everyone to be on an equal footing.
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In theory, there is no difference between theory and practice. But, in practice, there is.
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Pat Riley, Dave Checketts and Ernie Grunfeld - they brought the Knicks back to the glory days. It started with Rick Pitino. We took our first step with him, making the playoffs. When Pat came in we just kicked the door open.
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Most kids at 10 or 11 love science, but I never outgrew it.
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To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.
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I know my fans want me on the screen. But I think hero-worship should not be allowed to corrupt the plot and narrative of a film.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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As long as the number one worry for people, keeping them up at nights, is whether they're going to have a job in the morning, then they are less likely to resist unfair changes, or unfair treatment, or cuts in real pay at work.
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I don't ever want to be a person that I'm not. A lot of girls fall into the trap where they are trying to impress other people, and that's the time when they lose themselves.
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There's a classic element that all good Disney movies have. It really comes down to the storytelling, I think. It manages to push all of these buttons inside of us; there's a sentimentality.
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Why are we, as a nation so obsessed with foreign things? Is it a legacy of our colonial years? We want foreign television sets. We want foreign shirts. We want foreign technology. Why this obsession with everything imported?
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Genius is a promontory jutting out into the infinite.
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'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.
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Having been subjected to the pigeonholing of Hollywood myself, I realized that once you become a studio-approved director, your chances of ever making your own film again are zero. You make the films that the studio wants you to make.
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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All writers have a love-hate relationship with writing. Performing is fun, too, but I wouldn't say it's my favorite. But the most fulfilling is producing.
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If you see a Renaissance body, this is completely ugly in this time. Everybody has to be skinny. But the Renaissance body with incredible flow of the meat everywhere, it was beauty.
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The musicals that leave us kind of staggering on our feet are the ones that really reach for a lot.
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The people of God want pastors, not clergy acting like bureaucrats or government officials.
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Elijah Wood is interested in people, in life and in music.
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People are more afraid of the laws of Man than of God, because their punishment seems to be nearest.
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I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
