Francois Nars Quotes
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Transparency is more sexy than a full, pancake finish.
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Was I a businessman to start with? I'm not sure. I mean, that comes slowly, when you start having the products out. But at the same time, I was very determined. I knew that I had to make it work. I had no choice.
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It really has stayed practically the same. It wasn't like I used to do wild punk make-up: no, I always had the same vision.
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I'm not an easily depressed person.
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Even with - the best make-up in the world won't look good if you don't cleanse and exfoliate and have a good basic regime. This is why one of my goals has always been to create a skincare line.
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My interpretation of the word 'ugly'... I like ugly beauty. That can happen. In France, we have phrase 'jolie laide.' We like certain women who are not pretty or cute - it's the opposite in France of pretty. It's more strange and interesting.
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People have to learn that everybody is the same. If you wake up in the morning, even if you're a movie star, you look like everybody else. The reality is that makeup is there to help. That's what it's for.
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There was a time when you would dream about, say, movie stars. Now, you virtually follow them into their bathroom when they're going to the loo.
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I have always been attracted to faces that are different.
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It's one thing to read about how makeup is applied. It's another thing altogether to watch it being put on.
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I hate knowing where people go to the bathroom. You follow them going to pee, to eat - I hate everything when it comes to reality shows!
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I love so much the models from the '60s and the '70s. They were extremely professional, great models who knew how to work the camera so well and loved fashion and had a great sense of style.
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In a lot of cases, makeup is a fantastic help, and that's why women love makeup in general. It's a fantastic way to help somebody look great. It's not the only way, of course, but it's a major accessory, along with hair, clothes, lighting, all those things.
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I never thought make-up was like brain surgery.
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I think less is more when it comes to make-up; this really helps achieve a lighter complexion. Heavy make-up creates a canvas and can dull the skin.
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I love to collaborate with artists, like Guy Bourdin and Steven Klein, who don't have any boundaries.
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In this world, you do your job, a good job, and that's what counts.
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I'm very nostalgic - and I don't care.
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A woman who hides behind a mask of makeup is still going to have to take it off at some point... and deal with reality.
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I was spoiled growing up in the 1970s because magazines were publishing the photographs of Helmut Newton and Guy Bourdin without compromise. You really felt that sense of freedom through their images.
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I can't remember the first time, but I've worked with supermodels almost from day one.
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It's very refreshing to go away and take a break, to clear your head, and just get into something else.
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I met Iman and Jerry Hall and all those girls in the late Seventies right when I started working at the fashion shows in Paris as an assistant.
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Looking at flowers, simple things in life. I don't need to look at gold and a castle; sometimes its very simple things that are very beautiful. I am keeping my eyes fresh to find beauty in many places, and in gold, too, sometimes!