Francois Nars Quotes
Quotes to Explore
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I have a strong upper body; I'm an arms swimmer, and I always have been.
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I tend to have a pattern of playing misunderstood characters.
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I like hip-hop, but I don't like concerts. There's, like, sweat on people's backs.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I think when you suffer a tremendous loss, everybody needs love and support in tangible ways. And that's what people have done for us.
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I'll tell you, I never thought I'd ever be going into law, and certainly not the same kind of law as my dad.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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I think black Americans expect too much from individual black Americans in terms of changing the status quo.
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Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to my own broader approach.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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What makes Ireland inclined toward the drama is that it's a great country for conversation.
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I don't really see any barrier between teenage fiction and adult literature.
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What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
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I was very close to my mother, and her death, which left a gaping hole in my life, has been very difficult for me and my father in a lot of ways.
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World-building numbs the reader's ability to fulfill their part of the bargain because it believes that it has to do everything around here if anything is going to get done. Above all, world-building is not technically necessary. It is the great clomping foot of nerdism. It is the attempt to exhaustively survey a place that isn't there.
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The end is in the beginning and lies far ahead.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
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Back in 1975, we were making all the decisions about what people were going to watch.
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People are funny, and in the most tragic situations, when comedy erupts from nowhere, it can turn on its head within the space of a second or a minute. You're laughing one minute and you're crying the next and that's just life for me, and that is what people are like.
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We want real job creation and a fertile business environment for small business owners.
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Acting and philanthropy are braided together. I've tried to seek out things that speak not just specifically to the community that created me, but that speak in a way that's universal and all of humanity celebrates.
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News isn't even the truth on television.
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They say it's better to bury your sadness in a graveyard or garden that waits for the spring to wake from its sleep and burst into green.
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I don't think there's a major change between runway and real life anymore.
