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I think Aquaman feels - and deservedly so - like an A-list, premier DC hero. I hope that carries on; it certainly will carry over to Justice League.
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Batman and the Flash have a whole lot in common behind the mask. They've both experienced loss, know forensic science, and are both a bit introverted. In 'Flashpoint,' Thomas Wayne thinks Barry is crazy, but Barry thinks Thomas is crazy. It'll be really fun seeing those two trying to figure things out.
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'Forever Evil' is my love letter to DC super villains. It's my chance to take all of the villains I've worked with and all the ones I've never worked with and put them into one gigantic, epic story that will bring together the bads of the DC Universe.
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I've been writing 'Green Lantern' for a long time, and one of the reasons I've enjoyed it is because the depth of stories you can tell is pretty endless with space and everything.
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Aquaman has the ability to be a huge character, and I think we really brought him to a new level in comic books, and I'm hoping that new level continues to everything that is DC Entertainment. Certainly, that's the goal. He's one of our most recognizable and most important characters, and it's going to continue to stay that way.
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The problem is there are so many stories out there where I can pull that superhero out, put any other superhero in, and the story works the same. For me, that's broken. I have to write a story that no one else but Aquaman or Shazam can be in, and as soon as you pull that character out and out someone else in, it doesn't work.
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The Green Lanterns are very forward and very courageous, very forceful. The Red Lanterns are out of control, and they're not in their right mind because when we're angry or in rage, we say things and we do things we wouldn't normally do.
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I don't know who made the first Aquaman joke. I'm sure it was comics readers; maybe we all did. But it's the idea that the perpetuated story of Aquaman is that he only has powers in water, and he talks to fish. I think it's the idea of him in the middle of a city just doesn't make a lot of sense to people. It's just the character itself.
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I tend to like writing long stories in comics. I worked on 'Flash,' 'Teen Titans' and 'JSA' for years. I always like diving into characters.
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'The New 52,' I was really excited that new people got to jump in on books. In particular, on 'Aqua Man.'
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I love finding balance. My favorite thing to do is action-driven, emotionally-charged scenes.
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One of the things that I thought really worked was that you have 'Smallville' on television and 'Superman Returns' come out in the theater, and it was fine. Nobody freaked out; nobody thought they were competing.
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Any character can find an audience and work if you have passion for that character. You might have to just scrape off the dirt and the barnacles and pull it out and highlight it.
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Every villain in the DC Universe wants something different, and not all of them want to rule the world. Or at least, not all of them want to rule the world in the way the Crime Syndicate do.
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The thing about Green Lantern rings is they pick whoever has potential to overcome great fear.
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The ocean is 90% unexplored. It's a great canvas to paint Aquaman stories across, just like Green Lantern has space. It's more organic, which makes it different and interesting. It's alien, but it's terrestrial.
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I absolutely love Aquaman, and the character has been a passion since 'Blackest Night.'
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I really explored self-awareness and emotions through 'Green Lantern.' It might sound goofy, but I do believe that emotions have power. We're all driven by something, and most of that is emotional reaction. For me, it was about recognizing my self-awareness.
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I think every writer doubts themselves, every day. You procrastinate because you're afraid. You're always afraid it's not going to be as good as you want it to be. But, the key is overcoming fear.
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The truth is, we're all cyborgs with cell phones and online identities.