Geoffrey Beene Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Girls love guys who dance, and I'm definitely going to be the first one on the dance floor. Usually, you just see guys sitting around, but I definitely don't hold back when it comes to dancing.
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I'm such a girl because all the guys go for cars because of their engines or something like that. I like the colour and the design.
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I didn't grow up thinking I'd be a decorator. Design is my greatest passion, and it naturally just pulled me down the path. Same with TV. Being famous or having a show was never the motivation. I got a call and was swept up by the challenge of that first small space redesign.
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Borderline embarrassing fact: I used to have a pseudo line when I was seven called Zizzy Fashion. I love clothing, and I would eventually like to design as well as act.
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The only important thing about design is how it relates to people.
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At the pinnacle of great design are products so gorgeous and lust-worthy that you want to lick them: a Porsche 911, Samsung's Luxia TV, an Eames lounge chair or anything by Loro Piana.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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People who run a ready-to-wear company are businessmen rather than production or design people.
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God is not anything human. God is a force, God is chaos, God is unknown. God is terror and enlightenment at the same time.
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Great French design is often about unexpected touches.
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I do not find the concept of consorting with unknown persons appealing.
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We are in a tech-heavy society, plunging headlong into an unknown future. Science fiction is what allows you to stand back and analyze the impact of that and put it in context of how it affects people.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or 'outsideness' without laying stress on the emotion of fear.
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There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.
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Authors by the hundreds can tell you stories by the thousands of those rejection slips before they found a publisher who was willing to 'gamble' on an unknown.
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Even when I was a little girl, I remember going to the Museum of Modern Art. I think my parents took me there once or twice. And what I really remember is the design collection.
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I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
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I like to learn things from other cultures. I'm curious. It's exciting to be in an unknown world, in a way.
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Any protester knows that the only way activism works is to get the people on your side.
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Public confidence in, and support for, the euro - and, indeed, the European Union - will ultimately be determined by how well we deliver on growth and jobs rather than on institutional wrangling and complex legal or technical negotiations.
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I wanted to do something in the style of a comedy of manners.
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If you live in a democracy, it's very tiring to be always surrounded by great and high abstract generalisations which are, in fact, the most banal and naive cliches dug out of second-rate movements of the late 19th century.
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Design is an unknown.
