Peter Maurer Quotes
We still have a strong commitment to our original mission, which is to protect and assist people who are suffering from the impact of violence, but the violence has changed its character, format, and pattern so that we are now responding year after year.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Of course people think Washington is arrogant. It is.
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People are not wrong in observing Caste. In my view, what is wrong is their religion, which has inculcated this notion of Caste. If this is correct, then obviously the enemy, you must grapple with is not the people who observe Caste, but the Shastras which teach them this religion of Caste.
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I think what people get confused about is that they want to label me as this EDM girl, but a lot of this stuff is genre-less.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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The true Islam has shown me that a blanket indictment of all white people is as wrong as when whites make blanket indictments against blacks.
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It's really fun to act like a bimbo. But it's fun to act like a bimbo only when people know that you really aren't one.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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What other people think of me is none of my business.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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Traditionally with debut albums, labels insist on a face, so people know who you are.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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At the end of the day, I want to create collections that, although I am inspired by very creative women, I want my customer to walk away with a silhouette that she doesn't even know what collection it comes from. That it just lasts in her wardrobe and makes her feel strong and confident and hopefully happy.
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The only important thing about design is how it relates to people.
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My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
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My dad doesn't get any of my jokes. He laughs at them, but he doesn't understand them. He's just laughing because people around him are laughing.
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My biggest luck was the Terry McMillan era, because what happened after the phenomenon of 'Waiting to Exhale' is that publishing woke up. They said, 'Wow. Black people do read.'
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I think I'm at a place where I haven't really been encountered by anyone overtly strange. But people think they know me.
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Then you start another book and suddenly the galley proofs of the last one come in and you have to wrench your attention away from what you're writing and try to remember what you were thinking when you wrote the previous one.
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The only result of our present system - unless we reverse the drift - must be the gradual extension of the fascist sector and the gradual disappearance of the system of free enterprise under a free representative government.
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We still have a strong commitment to our original mission, which is to protect and assist people who are suffering from the impact of violence, but the violence has changed its character, format, and pattern so that we are now responding year after year.
