John M. Ford Quotes
The cynical part of the answer is that I expect to see a good deal more space opera, set far enough in the future as to be disconnected from contemporary issues.
Quotes to Explore
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If one line about the film excites me, I try to take it forward.
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I just want to stay creative, share my ideas and see where it all leads.
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Oh I've done bungee jumping. Skydiving, I have motorcycles that I ride. I'm a little bit of an adrenaline junkie in that way.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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I was never really acting. I was not taking it seriously. Acting was very much a hobby for me. It wasn't really until I was finishing college and doing it sporadically that I began to take it seriously.
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We are a mixed economy. We will remain a mixed economy. The public and private sector will continue to play a very important role. The private sector in our country has very ample scope and I am confident that India's entrepreneurs have the capacity, and the will to rise to the occasion.
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Early in the morning, it's super tough for me to eat right away, but I still need energy for practice. I try to start out with a protein smoothie, a green juice, or some sort of fruit.
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I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.
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In my grandfather's lab, scientists did independent research, and peers reviewed and commented on its merits. Politics, he taught me, had no place in the scientific process.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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You don't fight ideas with bombs.
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So film music is something I absolutely wanna get involved in.
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I grew up in a little town in Minnesota, 500 people. I went out to Princeton, and I wasn't very well-accepted out there by the fancy folks of Princeton University, I felt. I came away bruised and feeling rejected.
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Let blockheads read what blockheads wrote.
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In a way, it's good not to be recognised as much off screen.
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While I was writing 'Stick Out Your Tongue' in Beijing, the police began knocking on my door again. As soon as I finished the book, I moved to Hong Kong so that I could work undisturbed on my next novel.
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I am not the kind of leader who pontificates about what should be done - I don't operate on scenarios, and I am not a prophet.
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The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
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Days are long when you're filming, so I catch up on sleep during breaks to avoid looking tired.
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Scripts are very different to books. They are blueprints for building, not the building.
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I wrote 'Snowy' as a result of spending a week on a narrow boat with daily classes of children, helping them to write about canal life, the work of barges, the simple pleasure of watching the water creatures. There was no doubt that the star of their week was Snowy, the working barge horse who pulled us daily along the towpath.
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When given the choice, we’d all rather be happy now … even if that guarantees we’ll all be sad later.
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I don't enjoy doing stand-up. I see it as being like exercise: I feel good about it after I've done it.
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The cynical part of the answer is that I expect to see a good deal more space opera, set far enough in the future as to be disconnected from contemporary issues.
