John Marston Quotes
Quotes to Explore
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I've always had better luck learning things on my own. And I really love the challenge of doing it yourself and kind of being alone against the system.
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I've learned in my life that it's important to be able to step outside your comfort zone and be challenged with something you're not familiar or accustomed to. That challenge will allow you to see what you can do.
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Brave men do not gather by thousands to torture and murder a single individual, so gagged and bound he cannot make even feeble resistance or defense.
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But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.
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People who matter are most aware that everyone else does too.
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I've never had to pitch a movie to a studio. I usually just let people read the script, then I cast it. I always think pitching is for baseball.
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Charity is a very personal equation, like we say charity begins at home. It starts with your immediate help in the house: the people who work for you.
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I do feel like there's a level of ridiculousness going on in electronic music... It's getting borderline absurd out there.
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The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.
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I can't comprehend that I'm in the film of 'Les Miserables.' It's one of those dreams I thought would be unattainable for someone like me, who came from nowhere.
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It was never important for a wedding to be about anything other than me and my partner. A big celebration was never my cup of tea.
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Hemingway was a jerk.
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I was always in love with Judy Garland, and when I was growing up, I fell in love with Leonardo DiCaprio, of course.
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One of the dreariest spots on life's road is the point of conviction that nothing will ever again happen to you.
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My parents were both actors; my dad sort of quite early on. My mother acted for a while, and now she's a painter.
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I've been getting pulled from newspapers for my entire career.
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I contend, most seriously, that there is a real need for a good, thick, complete-as-possible dictionary of 'What People Used to Call Things.'
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I do a lot of voice over for Japanese anime titles as well as live-action stuff and original stuff from the States. 'Legion of Super Heroes,' 'New Wolverine: The X - Men' animated series, 'Afro Samurai' and some live-action stuff, TV shows here and there - I like to mix it up.
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There is a sense of purity in theatre which always attracts me. Deep down, I feel I am more of an artist than a commodity, which Bollywood turns you into. I want to strike a balance.
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My body is an instrument for me to use.
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I like to buy a new fragrance for each film. I'll go out in the city where I'm filming and snap it up. The one I have for 'Into the Woods' is Terry de Gunzburg Flagrant Delice, which I bought in London.
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But also I say this: that light is an invitation to happiness, and that happiness, when it’s done right, is a kind of holiness.
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We die alone, but we live among men.
