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But hail thou Goddess sage and holy, Hail, divinest Melancholy, Whose saintly visage is too bright To hit the sense of human sight, And therefore to our weaker view O'erlaid with black, staid Wisdom's hue.
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God made thee perfect, not immutable.
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Evil on itself shall back recoil.
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Thus I set my printless feet O'er the cowslip's velvet head, That bends not as I tread.
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Still paying, still to owe. Eternal woe!
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And now without redemption all mankind Must have been lost, adjudged to death and hell By doom severe.
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Freely they stood who stood, and fell who fell.
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Thus with the year Seasons return, but not to me returns Day, or the sweet approach of ev'n or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine.
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Loneliness is the first thing which God's eye named not good.
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By night the Glass Of Galileo ... observes Imagin'd Land and Regions in the Moon.
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Wherefore did Nature pour her bounties forth With such a full and unwithdrawing hand, Covering the earth with odours, fruits, flocks, Thronging the seas with spawn innumerable, But all to please and sate the curious taste?
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I on the other side Us'd no ambition to commend my deeds; The deeds themselves, though mute, spoke loud the doer.
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Let her (Truth) and Falsehood grapple; who ever knew Truth put to the worse in a free and open encounter?
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How gladly would I meet mortality, my sentence, and be earth in sensible! How glad would lay me down, as in my mother's lap! There I should rest, and sleep secure.
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A dungeon horrible, on all sides round, As one great furnace, flamed; yet from those flames No light, but rather darkness visible Serv'd only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all; but torture without end.
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It is Chastity, my brother. She that has that is clad in complete steel.
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I will not deny but that the best apology against false accusers is silence and sufferance, and honest deeds set against dishonest words.
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Meadows trim, with daisies pied,Shallow brooks, and rivers wide;Towers and balements it seesBosomed high in tufted trees,Where perhaps some beauty lies,The cynosure of neighboring eyes.
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But pain is perfect misery, the worst Of evils, and excessive, overturns All patience.
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And join with thee, calm Peace and Quiet,Spare Fast, that oft with gods doth diet.
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For Lycidas your sorrow is not dead,Sunk though he be beneath the watery floor;So sinks the day-star in the ocean bed;And yet anon repairs his drooping head,And tricks his beams, and with new-spangled oreFlames in the forehead of the morning sky.So Lycidas sunk low, but mounted high,Through the dear might of him that walked the waves.
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[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
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To adore the conqueror, who now beholds Cherub and seraph rolling in the flood.
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Yet I argue notAgainst Heav'n's hand or will, nor bate one jotOf heart or hope; but still bear up, and steerRight onward.