John Podesta Quotes
Ultimately I think what people care about, particularly on an issue like Social Security, is not really what's right and what's left but what's right and what's wrong.
Quotes to Explore
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I think Twitter is the future of communications and Square will be the payment network.
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Since we can't count on the meat, egg, and dairy industries to protect animals from the most egregious forms of cruelty, what can we, as consumers, do? Opting out of paying someone to allow animals to die in a barn fire or at the slaughterhouse seems pretty reasonable.
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I'm interested in playing, not working.
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It's really important to find something you really enjoy - something you can focus on and be good at.
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Over the years, God and St. Therese have kept me going no matter how bad things were.
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I've always been DJing; it's just I'm making more of a push for it, making it more public.
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Going to a concert is so overwhelming and the energy is amazing.
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I'm cold in summer. I'm the coldest person ever! It's very ironic I'm never cold in the scripts. Every time I'm shooting, if you don't see a part of me, there are hot water bottles there.
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When you have an engagement, at least in my world, the world that I create for myself, an engagement doesn't begin when you hit the stage and end when you leave the stage. It begins when you hit the city limits, and it ends when you leave the city limits.
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I come from Surajpur, a valley in Himachal Pradesh near Manali that is named after my great grandfather Sarju Singh Ranaut.
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If you're going to take a jab at someone, you should at least have a bit more of a personal relationship with them. I feel like you can be funny and clever, as opposed to just outright vile.
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I didn't go to law school to become a lawyer, per se - let's just say I was leaning in to some strong suggestions from my parents - but my nebulous goals of someday becoming a writer were just that, nebulous.
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As long as I am alive, I am fully committed to amity between Tibetans and Chinese. Otherwise there's no use.
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I'm really a director's actor. I rely heavily on a director.
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Both me and Ishmeet were very naughty. We used to have my grandfather's swords in the house. We used to take all these swords and take all the showpieces Mom had and slice them one by one. He actually locked my nana in the kitchen once for two hours.
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When I get drafty cold air in my ears, I would get an earache and get sick. I had to make sure I hustled and stayed well for my shows that I played.
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I don't think in terms of legacy or that kind of stuff. I've always thought that'll take care of itself if I did everything right on a day-to-day basis.
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The trick to being a novelist is to act like an iceberg. Make it seem as if you're displaying only one-tenth of what you know, and the other nine-tenths isn't visible and never mind if that part is pure styrofoam!
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What Richard and Mildred Loving did was, by their nature, not by any calculus, they separated themselves from the political conversation. They did not have an agenda. They did not want to be martyrs. They did not want to be symbols of a movement.
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Authenticity doesn't just mean you're not filtering what you're saying, it's about being able to know and access the best parts of yourself and bring them forward.
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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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I feel like so many people invalidate the experience of transgender girls thinking that they aren't regular girls, but I am a normal girl.
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People need a consistent explanation of the cross of Christ and what it accomplished. Christ's atoning work is the centerpiece of the gospel and the only solution for humanity's estrangement from our Creator.
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Ultimately I think what people care about, particularly on an issue like Social Security, is not really what's right and what's left but what's right and what's wrong.
