John Ruskin Quotes
Some slaves are scoured to their work by whips, others by their restlessness and ambition.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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My parents got to see all my hard work pay off.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
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The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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Glory is attained from hard work, step by step.
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If you want to accomplish twice as much, you have to work twice as hard.
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But 18 years after the passage of the Civil Liberties Act, there still remains unfinished work to completely rectify and close this regrettable chapter in our Nation's history.
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I'm comfortably asocial - a hermit in the middle of a large city, a pessimist if I'm not careful, a feminist, a black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty and drive.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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I've tried a few times to depart from what I know I can do, and I've failed. I've tried to work outside the studio, but it introduces too many variables that I can't control. I'm really quite narrow, you know.
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Fencing is a game of living chess, a match where reflexes only work in combination with intent, and mind and body must work together at every moment.
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I never really grasped how big it was when I initially got 'Alexander'; I thought, 'Ooh, this is exciting,' but after I got home, I looked back and thought, 'That was an incredible experience.' I got to work with some massive names in Hollywood, and I learnt so much, and then it really kind of struck me how life-changing it was.
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I've learned not to hide behind a veil of irony - to talk about my work in a more honest way.
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I became conflicted in my late teens.
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In the 18th century, people began to adopt the radical new idea that love should be the most fundamental reason for marriage and that young people should be free to choose their marriage partners independently.
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It's not diversity that is going to destroy us, but fear of diversity.
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I learned how to break the rules without asking.
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I am the Democratic Party's absolutely worst nightmare. Why is that? Well, you see, I am a black conservative Republican running against one of the most vulnerable Democrats in America in 2016.
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Some slaves are scoured to their work by whips, others by their restlessness and ambition.
