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In old times, men used their powers of painting to show the objects of faith; in later times, they used the objects of faith that they might show their powers of painting.
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The first duty of government is to see that people have food, fuel, and clothes. The second, that they have means of moral and intellectual education.
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... no human actions ever were intended by the Maker of men to be guided by balances of expediency, but by balances of justice.
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If only the Geologists would let me alone, I could do very well, but those dreadful Hammers! I hear the clink of them at the end of every cadence of the Bible verses.
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Great nations write their autobiographies in three manuscripts the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.
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Doing is the great thing, for if people resolutely do what is right, they come in time to like doing it.
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I do not believe that any peacock envies another peacock his tail, because every peacock is persuaded that his own tail is the finest in the world. The consequence of this is that peacocks are peaceable birds.
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To make your children capable of honesty is the beginning of education.
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We shall be remembered in history as the most cruel, and therefore the most unwise, generation of men that ever yet troubled the earth: - the most cruel in proportion to their sensibility, - the most unwise in proportion to their science. No people, understanding pain, ever inflicted so much: no people, understanding facts, ever acted on them so little.
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Nearly all the powerful people of this age are unbelievers, the best of them in doubt and misery, the most in plodding hesitation, doing as well as they can, what practical work lies at hand.
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The measure of any great civilization is its cities and a measure of a city's greatness is to be found in the quality of its public spaces, its parks and squares.
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Not only is there but one way of doing things rightly, but there is only one way of seeing them, and that is, seeing the whole of them.
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There are no such things as Flowers there are only gladdened Leaves.
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Whether for life or death, do your own work well.
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I tell you (dogmatically, if you like to call it so, knowing it well) a square inch of man's engraving is worth all the photographs that were ever dipped in acid... Believe me, photography can do against line engraving just what Madame Tussaud's wax-work can do against sculpture. That and no more. (1865)
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No one can explain how the notes of a Mozart melody, or the folds of a piece of Titian's drapery, produce their essential effects. If you do not feel it, no one can by reasoning make you feel it.
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Work first and then rest. Work first, and then gaze, but do not use golden ploughshares, nor bind ledgers in enamel.
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No good is ever done to society by the pictorial representation of its diseases.
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There is but one question ultimately to be asked respecting every line you draw, Is it right or wrong? If right, it most assuredly is not a 'free' line, but an intensely continent, restrained and considered line; and the action of the hand in laying it is just as decisive, and just as 'free' as the hand of a first-rate surgeon in a critical incision.
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Depend upon it, the first universal characteristic of all great art is Tenderness, as the second is Truth. I find this more and more every day: an infinitude of tenderness is the chief gift and inheritance of all the truly great men. It is sure to involve a relative intensity of disdain towards base things, and an appearance of sternness and arrogance in the eyes of all hard, stupid, and vulgar people.
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The strength and power of a country depends absolutely on the quantity of good men and women in it.
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There is no such thing as bad weather, only different kinds of good weather.
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Life without industry is guilt, and industry without art is brutality.
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Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.