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A man must have something to cling to. Without that he is as a pea vine sprawling in search of a trellis.... I was all asprawl, clinging to Beauty, which is a very restless trellis.
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There is simply a better chance of doing well if the writer holds a steady course, enters the stream of English quietly, and does not thrash about.
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The siren south is well enough, but New York, at the beginning of March, is a hoyden we would not care to miss--a drafty wench, her temperature up and down, full of bold promises and dust in the eye.
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In a man's middle years there is scarcely a part of the body he would hesitate to turn over to the proper authorities.
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We are such docile creatures, normally, that it takes a virus to jolt us out of life's routine. A couple of days in a fever bed are, in a sense, health-giving; the change in body temperature, the change in pulse , and the change of scene have a restorative effect on the system equal to the hell they raise.
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A poet dares to be just so clear and no clearer; he approaches lucid ground warily, like a mariner who is determined not to scrape his bottom on anything solid. A poet's pleasure is to withhold a little of his meaning, to intensify by mystification. He unzips the veil from beauty, but does not remove it. A poet utterly clear is a trifle glaring.
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People are, if anything, more touchy about being thought silly than they are about being thought unjust.
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Delay is natural to a writer. He is like a surfer-he bides his time, waits for the perfect wave on which to ride in. Delay is instinctive with him. He waits for the surge (of emotion? of strength? of courage?) that will carry him along.
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Thurber did not write the way a surgeon operates, he wrote the way a child skips rope, the way a mouse waltzes.
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Dentistry is more impressive in town-what the rural man calls cleaning the teeth is called "prophylaxis" in New York.
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From morning till night, sounds drift from the kitchen, most of them familiar and comforting. . . . On days when warmth is the most important need of the human heart, the kitchen is the place you can find it; it dries the wet sock, it cools the hot little brain.
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If sometimes there seems to be a sort of sameness of sound in The New Yorker, it probably can be traced to the magazine's copydesk, which is a marvelous fortress of grammatical exactitude and stylish convention.
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New York is part of the natural world. I love the city, I love the country, and for the same reasons. The city is part of the country. When I had an apartment on East Forty-Eighth Street, my backyard during the migratory season yielded more birds than I ever saw in Maine.
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Deathlessness should be arrived at in a... haphazard fashion. Loving fame as much as any man, we shall carve our initials in the shell of a tortoise and turn him loose in a peat bog.