George A. Romero Quotes
Quotes to Explore
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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For 'Breaking Bad,' people were with Walter White for 99% of that show, even though that guy is a monster.
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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Being famous has changed a lot, because now there's so many outlets, between magazines, TV shows, and the Internet, for people to stalk and follow you. We created the monster.
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I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
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Putting on my legs is like putting on my shoes. I understand that's how some people might think differently, but I hope that in London, their perceptions open up.
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When I talk about the Internet, it's because young people are there. TV and radio are still what moves the masses, and you can't ignore that. But you also have to feed that monster that grows daily, which is the Internet.
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According to Jewish legend, only the very wisest and very holiest rabbis had the power to make golems, animated servants of clay. Strictly speaking, the golem is not in the same class with Frankenstein's monster, because the golem is neither alive nor dead. He is, rather, the ancestor of all robots.
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'Alien' is one of my all-time favorite horror films - that has a great monster.
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The U.S. always needs an enemy. It comes and goes. Today it is Islam. According to this plan or ideology of the born-again Christians who formed an alliance with Zionism, Islam is the monster.
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I had this dream, and I really wanted to be a star. And I was almost a monster in the way that I was really fearless with my ambitions.
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A monster, which the Blatant beast men call, A dreadfull feend of gods and men ydrad.
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Knowing the cause of something is not going to help you to be free of it.
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There is a red and angry world... Red things happen there. The world eats your wife... Eats your friends... Eats all the things... that make you human... And you become a monster. And the world... just keeps on eating.
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I used to be a party monster, very into Acid House, which I saw as my weekend reward for working hard all week.
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You have to be a brat in order to carve out your parameters, and you have to be a monster to anyone who gets in your way. But sometimes it's difficult to know when that's necessary and when you're just being a baby, throwing your rattle from the cage.
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Zombies, vampires, Frankenstein's monster, robots, Wolfman - all of this stuff was really popular in the '50s. Robots are the only one of those make-believe monsters that have become real. They are really in our lives in a meaningful way. That's pretty fascinating to me.
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I never quite became the monster I wanted to be. I feel mostly monstrous as I more become myself. Because the more you become yourself, the more it disturbs other people.
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The hardest thing about a musical is making sure everybody is working on the same damn show. That is the monster.
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My writers on 'Liv And Maddie' have started a running joke to try and sneak as many 'literally's into the script as they can to throw me.
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There's nothing ever monetarily or fame-seeking or any of the other motivations that sometimes go hand-in-hand with this profession. To me, it's just not like that. I'm on a journey of self-discovery and trying to avoid total existential crisis. That's the kind of operating zone that I'm approaching this business from.
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The way we see the problem is the problem.
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But if I've heard this saying once, I've heard it a thousand times- everything happens for a reason. And possibly it does. I just haven't found the reason that this all happened yet.
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There aren't that many monsters. It's very hard to create a new monster.
