George A. Romero Quotes
Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
Quotes to Explore
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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I've always performed. I've done plays at home.
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I'm so tired of stories starting, 'Maud Jones was walking her dog down Broadway.' You've got to go over to the back page somewhere to finally find out the damn dog was run over by a truck. Get the thing told, for heaven's sake. Everybody doesn't have to be an O. Henry.
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I'm too self-serious for a comedy.
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A man who stands for nothing will fall for anything.
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In any work you do, you can be profound one minute, and then you be superficial the next, and you can be smart and insightful and then insipid. There can be room for all that.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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Life is so fast these days, and we're exposed to so much information. Television makes us a witness to such misery.
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The Department of Justice will continue to pursue those that travel to fight against the United States and our allies, as well as those individuals that recruit others on behalf of ISIL in the homeland.
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I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.
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I'll tell you what's helped me my entire life. I look at baseball as a game. It's something where people can go out, enjoy and have fun. Nothing more.
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I thought I'd have a career playing women in the vein of Ruth Gordon, and we've seen that type almost disappear.
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The Illinois Holocaust Museum & Education Center serves as a poignant reminder of our past and a trusted source of education for schoolchildren, community members, and visitors from across the country.
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I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
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Ever since happiness heard your name, it has been running through the streets trying to find you.
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If it weren't for how esoteric the art world likes to be, I would love actually to play the music in the shows, painting the music that influences me most.
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I always say it took me 10 minutes to write 'Cars,' but if I am honest it could have been even less than that - and it has been a really successful song over the years. It is still massively used, in advertising, in films, and people do cover versions of it a lot.
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I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
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Over the long hours of taping 5, 6 or 7 episodes a day, we develop a great sense of family.
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The area where I grew up in Birmingham was very diverse - I was aware of my race but not overly aware of it - and there seemed to be an understanding that we were all very much in the same boat.
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Jesus Himself stresses that only those who grant forgiveness will receive it.
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Girls who stay true to themselves manage to find some way to respect the parts of themselves that are spiritual. They work for the betterment of the world. Girls who act from their false selves are often cynical about making the world a better place. They have given up hope. Only when they reconnect with the parts of themselves that are alive and true will they again have the energy to take on the culture and fight to save the planet.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
