Peter Morgan Quotes
Quotes to Explore
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
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I'm afraid to fail again.
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I like big thinkers who, no matter how big their vision, can sit down and talk to me about hour-to-hour, day-to-day type stuff they do to move the ball forward.
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Fortune pays you sometimes for the intensity of her favors by the shortness of their duration. She soon tires of carrying any one long on her shoulders.
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It's such a weird self-confidence that an artist has - to conceive of this thing that serves no function and say, 'I'm going to really work hard for it and give it and it's just going to matter to people.' You really have to believe it all on your own.
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Most of my fans, if you were to look on their iPods, you'd see every possible genre of music represented in some capacity.
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Here in America we're doing the most wonderful crafts.
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They thought in terms of: whatever you had that started you at the box office, this was it.
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If everybody, every day, would try to do one thing that pulls them beyond themselves the world will start being a better place.
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And finally I begin to have such a success in my examinations that I found myself in a career you see.
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I never went to stage school or anything like that. It was always plays, productions at school and things like that. The thing for me with acting was it was the only thing I could fully concentrate on. I loved playing sports. I didn't really love studying.
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It's very rare, as an actor, to be someplace - to have an address, so to speak.
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What is history? An echo of the past in the future; a reflex from the future on the past.
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Children refuse to compromise. Adults learn how.
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I wanted to take nouvelle cuisine further, to the point where we were breaking down the essence of taste and sensation, reconfiguring food as a series of really intense hits on the tongue.
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All the privileged can travel, see different worlds; not everyone can. I think it is important for people to have an interesting locale nearby.
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We may affirm, then, that the main drift of the later Renaissance was away from a humanism that favored a free expansion toward a humanism that was in the highest degree disciplinary and selective.
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I think London's sexy because it's so full of eccentrics.
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I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really.
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In a modern loft, you can't just fill a space with furniture. Each piece has to be perfect.
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My official field was Tudor-Stuart England; I also considered myself reasonably competent when it came to Renaissance and Reformation Europe.
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When I was younger, I did lots of plays, put on shows for Mum and Dad, made my brother dress up in ridiculous tutus and whatnot to perform in front of them. I think my pre-primary report was like, 'Has a flair for drama' - it was just a little side note.
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When you started looking at the life of Tolstoy, there was so much passion and anger and drama surrounding him.
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I watch drama on DVD because I can't stand ad breaks.
