Peter Mullan Quotes
I'm not a huge kind of visual director. For me, it's all about the acting. There's no greater buzz than working with actors and seeing what they can do and how much they can improve on what you'd written. That will always be on the top of my list. It's a real privilege to see it live before anyone else sees it.
Quotes to Explore
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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I grew up with Apocalypse Now and Badlands, so I had a real awe thing going.
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There are many things which swallow up men's thoughts while they live, which they will think little of when they are dying. Hundreds are wholly absorbed in political schemes and seem to care for nothing but the advancement of their own party. Myriads are buried in business and money matters and seem to neglect everything else but this world.
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Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
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The only thing that is real is the being in you that is going to die.
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What we call real estate - the solid ground to build a house on - is the broad foundation on which nearly all the guilt of this world rests.
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'The View' was so much fun. So much fun because the audience was 85-percent fans that wanted to be there celebrating 'One Life to Live' and the other 15 percent were crew members from 'One Life to Live'. It was just really, really wonderful and the clips were wonderful.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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If we're going to go really deep, we're all trying to live forever. My music is my way of doing that.
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Characters who don't suffer have no interest to me.
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I couldn't live up to it. So I chose to run away.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I feel like I know so little, and I just hope I get to live so long. I came to puberty late; it's all been late.
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I want simply to learn about the world and live freely.
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If we are to teach real peace in this world, and if we are to carry on a real war against war, we shall have to begin with the children.
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Sharing food with another human being is an intimate act that should not be indulged in lightly.
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The secret to longevity, as I see it, has less to do with diet, or even exercise, and more to do with the environment in which a person lives: social and physical. What do I mean by this? They live rewardingly inconvenient lives.
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You never know what's going to happen. That's why I like acting. It's precious to me to be able to live more than one life.
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I think most of my songs are based on an emotion and in every song I write, there's at least a partial truth.
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Considering my specialization in architecture, I'm not surprised that the first graphic novel to thoroughly engage, not to say captivate, me is Chip Kidd and Dave Taylor's 'Batman: Death by Design.'
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I believed that I was approaching the end of my days without having tasted to the full any of the pleasures for which my heart thirsted...without having ever tasted that passion which, through lack of an object, was always suppressed. ...The impossibility of attaining the real persons precipitated me into the land of chimeras; and seeing nothing that existed worthy of my exalted feelings, I fostered them in an ideal world which my creative imagination soon peopled with beings after my own heart.
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The TV generation is postliterate and retribalized. It seeks by violence to scrub the old private image and to merge in a new tribal identity, like any corporate executive. (p. 201)
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I'm not a huge kind of visual director. For me, it's all about the acting. There's no greater buzz than working with actors and seeing what they can do and how much they can improve on what you'd written. That will always be on the top of my list. It's a real privilege to see it live before anyone else sees it.
