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Music is to give, share.
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My mum and dad used to make me stand up at dinner parties and sing to their friends.
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It sounds depressing, but I think when you truly love someone, you'll never stop loving them.
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I don't want to make music that is hot now; I want to make music that is hot forever.
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I'm a vulnerable, sensitive person. I overthink everything.
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When I was at school and wasn't having a great time or when music wasn't going very well, I would eat, eat. Eating would make me feel better; when I felt lonely, I would eat.
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It's my job to have ups and downs because it makes good music.
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I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
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When I find the right person, nothing else will matter, but I'm prepared to kiss a lot of frogs.
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I have a weird and undying love for George Michael. He's the reason why I want to do what I do.
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Sound-wise, I'm really limitless in the way I write songs. Whatever comes out, comes out. Every song is completely different.
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My plan is just to love harder than I've ever loved before, hide nothing, and embrace that I'm an imperfect human being. Oh, and sadness - sadness is everything.
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Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
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I'm really scared of flying. Like, really, really, really scared.
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I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
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I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.
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Don't get me wrong: I love a massive show with dancers and the works, and I love Zumba! But I just want there to be more people who just sing.
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My debut album is just a diary from a lonely 21-year-old. That's what it is.
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I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
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I don't have any problem with being the guy whose album people put on when they're feeling sad.
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I personally think Beyonce's a strong feminist. What she's done in music and for women is unprecedented. I love her. She definitely makes me feel like more of a woman.
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I will sing happy songs, and I do sing happy songs, but the stuff that's going to move me and going to make me close my eyes is always the blues.
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I did musical theatre for about four years. One time, I did six shows in one year whilst juggling school.
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I don't sit there writing songs, thinking, 'This would be good for Rihanna.' I don't want to be pitching out like that.