Sam Smith Quotes
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My favorite soundtrack is 'Avatar.' It's the best thing in the world. I love it.
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I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.
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When someone calls you 'gay,' there's not much you can do about that because I am. Whereas, if someone calls you fat, there is something you can do about that.
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There is a way to share an insight into your personal life without being classless, which is what I'm trying to do.
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I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
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I don't understand why you have to wear a wedding ring to warn people off. You should be able to be faithful to that person without anything on your body to show that you are with someone.
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As a kid, I collected 'Vogue' every month for three years.
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I've made my music so that it could be about anything and everybody - whether it's a guy, a female or a goat - and everybody can relate to that.
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I'm a gay man who came out when I was 10 years old, and there's nothing in my life that I'm prouder of.
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I've listened to female vocalists my whole life. That's what I love. I still listen to guys' vocals and don't get taken aback a lot.
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I'm not a really religious person, but those moments onstage feel like some sort of religious experience because no one holds back, especially 'Stay With Me' when I finish the show. It kind of turns into an anthem when I perform it live, and it feels like there's a lot of love in the room.
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I'm yet to attack French cooking, you know, where it's intense, following recipes and stuff. I'm more of a 'make it up' kind of thing.
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I'm a huge Gaga fan. I have been since I was a kid. I actually camped out overnight to see Gaga when I was 17 years old in London.
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I get really self-conscious about people staring at me. It sounds so weird. As a performer, as an artist, these should be the things that I'm used to. But that's not the case. When people stare at me, I freak out.
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I've had an amazing life, but I think I was born with a little bit of sadness in me. I've always been attracted to those things, whether it's sad movies, sad music... when you're sad, you feel everything in a greater way than you do when you're happy.
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As a youngster, when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing.
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I can't relate to skinny, perfectly sculptured, tanned men singing about gold chains and Ferraris because I'm not that way.
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The idea of having a house, a kid, a husband, and a dog... I love that. I also really want to open a coffee and flower shop one day, probably in Italy.
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Anything's possible. If I turn round tomorrow and say I want to be a spaceman, I could do that. You can do whatever you want to do.
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We want people to listen to records, to a whole body of music. I want you to buy into my life, not just one subject in my life.
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You love who you love, and I can't help that I like guys.
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I'm a very ambitious person. I've been like this from a very young age. As early as 12 years old, I used to have panic attacks because I needed to know my life plan.
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I miss the days when girls would wear full long dresses and just stand onstage and sing. That's what I'm trying to bring back: that timeless element. I want to create music that people will be listening to in fifty years, you know?
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I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.