George Balanchine Quotes
Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.

Quotes to Explore
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I've always been a bit of a poser. I was chucked out of ballet lessons for looking in the mirror.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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There's nothing like the force and challenge of a new ballet to galvanize everyone involved in bringing it to life.
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I did community theater in Georgia and called myself a ballet dancer.
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I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.
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I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
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I was the oldest of the children in my family. I had to do a lot of diaper-changing and lunch-making. I was taking my little sister to ballet, picking up my brother, sort of being a super-nanny.
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It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style.
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Maybe people have no idea how much work is behind a picture. It can seem very effortless, but there is a lot of work. It's exactly like doing ballet. It's hours and hours, but when you go onstage, it's just the pleasure of dancing.
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I started dancing when I was five, and I trained intensively as a competitive dancer up until the end of high school. I did all genres, and later on a did a lot of extra ballet on top of that. I actually got accepted to Julliard for dance during my senior year, but I ultimately turned it down to come to L.A. to act.
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Dancing for the length of time that I did, it centered me in such a way to be really in tune with my body, and I just feel like I'm physically able to do things because of my ballet background. Without ballet, I don't think I'd look graceful at all on screen.
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I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
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I just don't do much social media. No, it is more important to strike a balance between ballet and real life.
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Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
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I mean, I'm an uncle of seven or eight, and I don't mind it at all! Kids are great. Kids are the best six-hour experience you can have!
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Dancing is a tough career, but I'm glad I spent it at the Royal Ballet.
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I love dance; that's a big part of my life - like, ballet specifically.
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The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
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Always carry a corkscrew and the wine shall provide itself.
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Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own.
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I'll splurge on Toblerone. I love Toblerone with the Swiss chocolate and nougat in it.
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Nelson Mandela just died, so that says so much because it's a tremendously powerful and great man who was very sensitive. Loved all people, forgave his enemies, and showed the world how to stand up and do it the right way.
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I liked myself better when I wasn't me.
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Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.