W. Somerset Maugham Quotes
The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of thought; and, indifferent to aught else, care nothing for praise or censure, failure or success.
Quotes to Explore
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I have been offered a lot for my work, but never everything.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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Perhaps misguided moral passion is better than confused indifference.
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My parents got to see all my hard work pay off.
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It takes 20 years to make an overnight success.
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No one succeeds without effort... Those who succeed owe their success to perseverance.
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I don't talk about success. I don't know what it is. Wait until I'm dead.
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Nobody has approached me about an offer to work in India. However, I can categorically state that if they did so, I would refuse immediately.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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I still sweat bullets if I go on The Tonight Show, but I tell myself, You can either have fun tonight or you can be shy and miserable. You ask my friends or anyone I work with now - nobody would say I was shy.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'
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I had a job since I was old enough to work - since I was, like, 14.
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I have reaffirmed my political will to work towards national unity.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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It got to the point in the late 70s and early 80s that I was spending so much money buying golden age comics that I could only justify it if I got work in the media.
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There was a failure to recognize the deep problems in AI; for instance, those captured in Blocks World. The people building physical robots learned nothing.
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When I think about how I grew up sleeping on a cot in the hallway in a one-bedroom apartment in Flatbush, it's been a great life. I can't complain.
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Disco deserved a better name, a beautiful name because it was a beautiful art form. It made the consumer beautiful. The consumer was the star.
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I'm not a great reader, believe it or not. It's not the vocabulary - my father made me read the dictionary when I was little - but my attention span is poor. Takes me months to read one book.
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The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of thought; and, indifferent to aught else, care nothing for praise or censure, failure or success.
