John Van Hamersveld Quotes
For me in my twenties, working in Hollywood was confusing in that the differences between what was fiction and what was nonfiction seemed to blur in my mind. Everything became a visual memory for me. I carried my Leica camera, giving opportunity to take pictures from my view.
Quotes to Explore
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I struggle if I have chaos around me, but at the same time, if I don't have it, I'm uncomfortable. It's a strange thing: If I don't have chaos, I create it.
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My favorite thing to do is to wind those guys up by hitting on their girlfriends. I say, 'I think your girlfriend's gorgeous, but it's all right, I'm gay.' They get very nervous after a few minutes!
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The loss of life will be irreplaceable.
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I came from the theater playing leading roles, and when I started doing film and television, I felt as if I had to start from the bottom.
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In order for a man to feel whole, he needs someone to look up to and someone to look up to him.
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Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.
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Learning is what most adults will do for a living in the 21st century.
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You can tell if you're going to be into a script within the first five or ten pages - if I'm not completely engaged by page 20, I just have to give up on it.
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You can take of a man's money, but when it's all said and done, you've only taken his money.
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An ordinary kitten will ask more questions than any five-year-old.
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Growing up on a mountain in Tennessee, I spent most of my childhood outside.
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The Greek city-states politicised citizen and subject, creating institutions that were way ahead of anything in China or India. The politicians of antiquity exercised a political and military, if not economic, hegemony on the culture as a whole. The idea of democracy was first born and practised here.
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I love things that are harsh and things that are too loud. And I love lulling people into a false sense of security. That's life.
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Making a film or doing a play are completely different experiences and entirely fulfilling, but completely unique. I also think one complements the other. People often say that theater is about flexing your muscles, and is actually real acting, whereas I sort of disagree.
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I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
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What makes maftoul worth celebrating is that it's so easy and forgiving to cook.
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I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
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I cry a lot, and I have no problem with that at all. Listening to your emotions is part of being alive.
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Well, I guess that early 12 string. The first Martin I bought. I bought it around 1957 with money I earned as a janitor assistant. I bought brand new. I still have that.
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I just like the themes it's exploring. In the way my character says, 'I want us to become brothers again, like we used to be.' I really like that line, and it means a lot to me. I just find there's a lot of things like that in this movie that have that feeling. There's stuff that feels exhilarating.
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When I was little, I would close my eyes and put my finger on a page. Then in my mind, I would go to that place.
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Order and reason, beauty and benevolence, are characteristics and conceptions which we find solely associated with the mind of man.
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For me in my twenties, working in Hollywood was confusing in that the differences between what was fiction and what was nonfiction seemed to blur in my mind. Everything became a visual memory for me. I carried my Leica camera, giving opportunity to take pictures from my view.
