Peter Paige Quotes
We try to not write stories based on reaction. We try to write them based on character integrity as we understand it and observe it.
Quotes to Explore
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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I'm a little angry in life.
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A lot of people go in and have to create their own characters, and they do fine with it.
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I lead a normal life and I don't assume there is anything I can impart to people. The only reason to write a book would be to make money, and I don't want to do that. To write a book would be going against how I've lived.
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Socialism is practical, in the best sense of the term; a living, vital force of inestimable value to society.
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I stayed away from mathematics not so much because I knew it would be hard work as because of the amount of time I knew it would take, hours spent in a field where I was not a natural.
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The last temptation is the greatest treason: to do the right deed for the wrong reason.
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We're living in a world where Google beats Gallup.
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My father has been to me a paragon of what actualizing philanthropic potential can be.
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One of the things I enjoy most during the World Cup is watching a team improve, mature, and gel during the course of the tournament.
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I have often felt a bitter sorrow at the thought of the German people, which is so estimable in the individual and so wretched in the generality. A comparison of the German people with other peoples arouses a painful feeling, which I try to overcome in every possible way.
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I didn't get into acting to be a public service announcer or an advocate and yet, by virtue of this show and how we handle the subject matter that we've been given, that's kind of how it's evolved in certain ways.
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Death is frightening, and so is Eternal Life.
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What I think makes people nerds is just being obsessive. I think that's what nerdiness really is - its people who don't just passively like something, they get passionate about whatever they like.
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The 'Chainsmokers' found me early on, before anyone knew about 'Hide Away,' and reached out. I heard the demo for 'Don't Let Me Down' and loved it.
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Atari collapsed in '84, and I went freelance, and that was when I started spreading out and doing my own thing. I really cut loose and did a game called 'Trust and Betrayal', which was the first game solely about interpersonal relationships.
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Even if everything its detractors say about Fox were true, the most liberal of liberal attitudes would be that one would get credit for being in the lion's den.
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'The 100' gave me this platform I never expected. I didn't expect the character to become anything. I was originally only signed up to do six episodes, and then it just sort of become this whole story and journey, which was an amazing character, a great journey, so that has been incredible, and I didn't expect anything out of it.
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I'm not going to throw chairs; I'm not going to cuss. I'm not going to do that kind of stuff, because you don't have to do that. You don't have to act like that, and you don't have to live like that in order to be successful.
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You know I have duties──we both have duties──before which feeling must be sacrificed.
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A player has no use for an agent. None.
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Painting is an aid to vision. It turns life, the complexity of life, into something visible. It reveals things that we don’t know how to see.
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A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.
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We try to not write stories based on reaction. We try to write them based on character integrity as we understand it and observe it.
