Paul Bremer Quotes
Quotes to Explore
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Country radio is much more like a family than any other group of people that I've met.
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Yesterday's home runs don't win today's games.
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I had a world of people who were raising me; it was like a little village.
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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Folklore has a moral center to it. Folklore is always, always, always on the side of the underdog, and children have a natural instinct towards justice. They feel indignation at needless cruelty and wistfulness about acts of mercy and kindness.
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The markets are much more interested in America's long-term trajectory than they are in feeling that there is an acute short-term crisis.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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True love bears all, endures all and triumphs!
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Age puzzles me. I thought it was a quiet time. My seventies were interesting and fairly serene, but my eighties are passionate. I grow more intense as I age.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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If government were a product, selling it would be illegal.
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I'm convinced you can combine this with reporting integrity and accuracy.
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We need to incorporate that age-old concept of redemption into the work that we do in the criminal justice system in California.
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Economics is all about consumption. People either spend money now or they use financial instruments - like bonds, stocks and savings accounts - so they can spend more later.
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The horses are all characters, all personalities. Some you get along with, some you don't, some might take a bit longer.
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You don't have to look far to taste some of the best food the world has to offer. I'd pit my grandmother against a 3-star Michelin chef any day.
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In a consumer society, people wallow in things, fascinating, enjoyable things. If you define your value by the things you acquire and surround yourself with, being excluded is humiliating.
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My, oh my, how 'Sometimes When We Touch' has travelled since I solemnly wrote my first version at the age of 19.
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I was 16 before I met another passionate collector. One summer, I visited England; a new friend took me calling on his dotty, brilliant old aunt. She occupied a quaint house in Kent. Its walls were lined with glass-fronted cases full of what? Ancient shoe buckles.
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Math just wasn't my favorite. I didn't get how important math is and how it relates to real life. That's why I think I was turned off to it. Once I got down arithmetic and a little bit of algebra, I think I checked out. As I've gotten older, I think there's a lot more relation to math. English was my favorite subject.
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That's another reason I did Daredevil: I didn't get killed off in it.
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My style is where you see the individual and where a personality is communicated through actions, decisions, single objects and facts, where the whole draws together to form a history.
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The challenge of social justice is to evoke a sense of community that we need to make our nation a better place, just as we make it a safer place.
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Iraq is a better place, absolutely worth it.
