Paul Butterfield Quotes
A lot of people relate me to the blues but I don't think it's a hindrance at this point. I've been doing it long enough that I can do different things and be accepted.
Quotes to Explore
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I think it's always best to be who you are.
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I quite like Low, the band from Minnesota. They're absolutely mesmerizing. I get much the same feeling from anything that Will Oldham does.
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It's easy to forget history or give it a cliff notes. The cliff notes of history. But mainly, so much of what happens in 'Eyes on the Prize' happened in Jackson, Mississippi. Jackson, Mississippi isn't really known for any other touchstone to the movement, other than Medgar Evers being killed. There were sit-ins and riots and atrocities.
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It's a rough and tumble game whenever power is involved - people's ambitions, their desires, their competitive spirit will often push them to play outside the rules. It's dramatic, it's interesting, and I think it's something we can all identify with to a degree.
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Few men desire liberty; most men wish only for a just master.
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My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist.
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I don't find anything upsetting or gross or degrading about fighting with a mental illness: Bipolar or Schizophrenia.
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Life only demands from you the strength that you possess. Only one feat is possible; not to run away.
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Over the next few years the boardrooms of America are going to light up with hot flashes.
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It is the function of the President, representing the executive principle, to execute the laws.
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I'm still coming to terms with what it's like to have people follow your personal life as well as your public life. It gets amusing.
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The older I get, the more I understand that the only way to say valuable things is to lose your fear of being correct.
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One of the ways the North Korea regime has kept power is by keeping its people ignorant of the living standards in the outside world. That's the underlying lie that supports the regime - not that their country is 'normal' but that they are better off.
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Money is not everything. We don't need billions and trillions of dollars.
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Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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Hollywood so often likes to make movies that are just about itself. I felt there were a lot of stories that were yet to be told in the middle of the country, and I wanted to capture some of that beauty.
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Masculinity is kind of a toxic curse, isn't it? The expectations of it were hard on me.
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For makeup, a bit of blusher - what you call bronzer - a bit of an eye, and an eyelash curler.
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People should hear the pure blues - the # blues we used to have when we had no money.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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Co-writing is a very unnatural feeling. It's like wanting to document a feeling that you have and then trying to get someone else to describe it for you.
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A lot of people relate me to the blues but I don't think it's a hindrance at this point. I've been doing it long enough that I can do different things and be accepted.
