Paul Cezanne Quotes
Quotes to Explore
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My family and I had to overcome a lot to get where we are today.
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Anytime I'm involved with anything that's well-received, it's a surprise to me.
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I went to quite an academic school, and all my friends were going to university, but even before my acting jobs, I didn't want to do that. I didn't want to spend another three years being institutionalised, and I feel that getting out of that system benefited me in quite a few ways.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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It was a joy to be a part of the team that created Round The Horne. I was involved with the show at a time of my life when I was very happy., and that happiness overflowed into the scripts.
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What happens in the media is the cult of personality. The brands who have been forced to cut their staff have been forced to take on the brands of journalists.
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If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
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To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
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Sometimes I get very dressed up just to go to the corner for some bread; I dress for my own amusement.
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AI does not keep me up at night. Almost no one is working on conscious machines. Deep learning algorithms, or Google search, or Facebook personalization, or Siri or self driving cars or Watson, those have the same relationship to conscious machines as a toaster does to a chess-playing computer.
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I tried to hostess... but they fired me after four days because I couldn't figure out how seating plans worked.
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There's a good lesson for policymakers: It's not the presence of the U.S. that is a problem for many people in the Arab region; it's the type of presence we bring.
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You do need to get lucky, no matter how talented you are.
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I think for people that are dealing with this out there, the important thing to know is that this is real. It's called CIU, and there are solutions out there for you.
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I think the varied backgrounds in the beginning were a plus. It took a while for people to understand what they were trying to do and get started, but it did provide for a lot of new ideas.
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Painting is just another way of keeping a diary.
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Homicide is the best material I've had the chance to do.
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I don't think you can mix classical music and reggae. It's not possible. But some producer in, like, Norway is going to put it together.
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To all the positions, I just bring the determination to win. Me being an unselfish player, I think that can carry on to my teammates. When you have one of the best players on the court being unselfish, I think that transfers to the other players.
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There's a lot of pressure being an actor and taking on challenges that people don't expect of you.
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When I do actual sequential work, I really want a story I can get a behind: a story that really holds my attention for, like, the length of what I'll be working on.
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Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process.
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When I got my Oprah money, the first thing I bought was a really nice electronic bidet toilet seat.
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With an apple I will astonish Paris.
