George Eliot Quotes
The Jews are among the aristocracy of every land; if a literature is called rich in the possession of a few classic tragedies, what shall we say to a national tragedy lasting for fifteen hundred years, in which the poets and the actors were also the heroes.
Quotes to Explore
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Mum and Dad split up when I was nine. We upped and moved from London to Sussex, and suddenly I went from an urban life to nothing in the countryside - with a new father and new life.
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I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.
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And the beautiful open spaces, the forests of Pennsylvania, the recreational uses that come from having these green open spaces and forests, they contribute dramatically to the level of our tourism, dramatically.
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I never thought I'd be an actor.
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I'm constantly intimidated by Shakespeare's work. Trying to decipher what he's saying and holding on to that thought - not just as an actor, but as a human being - is a rigour.
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I'm here today because I hated everything else.
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Sure, 'Les Miserables' can be melodramatic. And seeing the musical instead of reading the novel will save you some time and spare you the long part where Hugo goes on and on about the Parisian sewer system. But I would hate for the novel to lose that.
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I always make my favorite pancakes with milk, and I also add some fruit - like a banana or apple with some cinnamon sprinkled on top. I also sometimes put peanut butter on my pancakes!
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A true yogi may remain dutifully in the world; there, he is like butter on water and not like the easily-diluted milk of unchurned and undisciplined humanity.
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I had some nerve damage that was kind of messing up my grip a little.
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People from the most horrendous of childhoods can have good lives, but it comes down to a very seemingly simple word. 'Choice.'
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As an athlete, you only have so much time. The window only has so much time and then it closes. You have to take care of yourself the best you can.
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Given a fair wind, we will negotiate our way into the Common Market, head held high, not crawling in. Negotiations? Yes. Unconditional acceptance of whatever terms are offered us? No.
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One of my friends went on a murder weekend... now he is doing life for it.
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Our first album didn't work because we tried to be something we're not.
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When I feel off, I read the 'Tao Te Ching' to get my equilibrium right. I started reading it in the eleventh grade.
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We want to be number one, from the ingestion of content to the play-out to any type of channel. Everything between there, you should see Ericsson if you are a broadcaster, telecoms operator, or cable operator.
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I really like working with unique and unknown artists, as they usually bring something fresh to a song.
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When you fly across the country in an airplane the country seems vast; but it isn't vast. It's all connected by roads one can ride a bike down. If you watch the news and there's a tragedy at a house in Kansas, that guy's driveway connects with yours, and you'd be surprised by how few roads it takes to get there.
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I wonder why I write about these things. As if I didn't know them! Why do I tell myself in writing what I already so well know? Don't I know about the mountain, and the brimming cup of blue light? It is because, I suppose, it's lonely to stay inside oneself. One has to come out and talk. And if there is no one to talk to one imagines someone, as though one were writing a letter to somebody who loves one, and who will want to know, with the sweet eagerness and solicitude of love, what one does and what the place one is in looks like. It makes one feel less lonely to think like this,—to write it down, as if to one's friend who cares. For I'm afraid of loneliness; shiveringly, terribly afraid. I don't mean the ordinary physical loneliness, for here I am, deliberately travelled away from London to get to it, to its spaciousness and healing. I mean that awful loneliness of spirit that is the ultimate tragedy of life. When you've got to that, really reached it, without hope, without escape, you die. You just can't bear it, and you die.
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There's a style to doing period pieces, and you can't do a Western without understanding 'My Darling Clementine.'
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The more distressing the memory, the more persistent it's presence.
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The Jews are among the aristocracy of every land; if a literature is called rich in the possession of a few classic tragedies, what shall we say to a national tragedy lasting for fifteen hundred years, in which the poets and the actors were also the heroes.
