Jon Bellion Quotes
Quotes to Explore
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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I used to think I needed a man to define myself. Not any more.
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I have vowed never to take antibiotics again unless I really need them. I also learned to pay attention to my body, know the difference between indigestion, an allergic reaction to food, a parasitic infection or worms. It's incredible how well I know my body. I really love that.
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One can no longer live with people: it is too hideous and nauseating. Owners and owned, they are like the two sides of a ghastly disease.
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If the Russian nuclear arsenal was fired at the United States and other targets, and we fired back at them with thousands of nuclear weapons, it would be the end of life on earth.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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A man will turn over half a library to make one book.
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Just as we might take Darwin as an example of the normal extraverted thinking type, the normal introverted thinking type could be represented by Kant. The one speaks with facts, the other relies on the subjective factor. Darwin ranges over the wide field of objective reality, Kant restricts himself to a critique of knowledge.
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In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.
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As an actor, you don't want to play a one-dimensional character.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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Working with Jack Albertson was one of my great joys.
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I was the first one to allow a projectile to come off of the stage and into the audience. And I kind of take responsibility for the mosh pit.
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There are other ways of finding satisfaction, recipes for human happiness, enjoyment, dignified and meaningful, gratifying life, than increased consumption that increases production.
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I'm on the board of directors for Peace Now, which works tirelessly between the Palestinians and the Israelis to create peace in the Middle East and we've never been closer.
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Every time before I go into the studio, I say a prayer, and I really ask God for inspiration.
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I don't listen to the news or read newspapers. I don't know what's going on in this world, or why I should vote for George McGovern or Richard Nixon. I don't have enough time.
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The music of the most popular operas is so highly esteemed, it can stand endless revivals.
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Once you're successful with a certain kind of music, it's hard not to have faith in it as a means to stay successful.
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My favorite Asimov works were the 'Foundation' books because the concept, at the time, was crazy, but psycho-history has now turned out to be an actual real thing. You can predict the actions of large groups of people once you understand, for lack of a better way to put it, their way of existing and their prejudices.
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I wanna make music; that's all I wanna do.
