Jonathan Coe Quotes
As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.

Quotes to Explore
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I would wait in line for anything to do with 'Doctor Who.'
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WWE was an opportunity to wrestle in front of thousands - in 2013, I did 227 matches, and almost all of them were in front of more than three or four thousand people, with a high of 70,000 plus. It was an incredible experience to be part of that.
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With 'Dance Moms' in L.A., we film on Wednesday, Thursday, Friday, and Saturday. When we film in Pittsburgh, we film the same days, but we still dance in our studio when we're not filming, so I'm dancing every day except Sunday.
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I think Obama is right when he talks about the rule of law as a cornerstone of what the United States should stand for. That can encompass our elected officials' adherence to law and our country's return to the Geneva Conventions.
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It is the spirit and not the form of law that keeps justice alive.
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If I don't write down a thought - or an image or a line of poetry - the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the car, the bicycle basket, on one or two desks in every room including bathrooms and the kitchen.
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I started making music for fun, but I had two parents who were very much in the business. I didn't run around trying to get the spotlight. I was very shy. I never sang in front of people 'til I was about 17 years old.
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I don't ever want anything to come in the way of me truthfully telling a story.
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The balance of private good and general welfare is at the bottom of civilized morals; but the morals of the Heroic Age are founded on individuality, and on nothing else.
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It is not important what Rahul Gandhi thinks, its important what a billion Indians think.
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We are born believing. A man bears beliefs as a tree bears apples.
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Wrestlers are a little more dedicated than, and are different from, the other people, which may be strange.
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I'm a great bum, and I'm a pretty good director.
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My mother's nickname for me is 'Positive Patrick.' I like to live up to that title.
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I would never go to a gym. How could I do it? So I tried to do it in my house and it doesn't work.
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Parts of the world can be very hostile to differences, social or artistic.
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I've never been one for crushing on famous people.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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You've just got to sing, do some kind of singing every day. Early mornings and cold weather can mess with that. I drink special teas with cayenne pepper, but I think you're psyching yourself out, really.
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I don't think there's any danger of me playing Indian music. However, I did a song of George Harrison's 'Beware of Darkness' that was kind of like that. That was an illusion. I was playing that on a thumbtack piano, and Jim Gordon was playing tablas. He's an amazing player. That was as close to India as I ever got.
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We welcome private investment, but any company or national firm will be a partner of a venture where the result will go mainly to the Bolivian people. Of course, any investor is entitled to recover their investment and take profits. But be assured that these new functions with our partners will also be reinvested in our country for the benefit of the Bolivian people.
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It's nothing really. It's the unique presentation that makes me look good in the action scenes. Why did I dare do them? That's a funny question! Why do I act? Why do I breathe!
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One thing I'm with Trump on is the political correctness in this country. It's draining.
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As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.